The Dying Eye

Ever since she was a little girl, Iris has wanted to be a filmmaker. For the last five years though, she's been trapped working in reality television, directing episodes for a series that's barely able to compete with Ghost Hunters. Iris sees her big chance to prove herself when she gets sent on assignment to her hometown of Black Falls, a small town harboring an abandoned insane asylum that has a dark history of excessive shock therapy. Filming inside the asylum brings back childhood memories for Iris, memories of sneaking into the asylum with her friends to shoot homemade horror movies. Little does Iris know, her life is about to imitate her art.

The relationship between renowned scientist Albert Einstein and his first wife, Mileva Marić.

On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come.

'OG' is a film about a legendary, Brazilian born, NYC skateboarder, Harry Jumonji. In the course of telling his story, through his triumphs and travails, Jumonji emerges in this portrait as an adolescent innocent, much like skateboarding itself. He is irrepressible, manically energetic and ultimately, pure. He has a transcendent presence, well beyond charm or charisma, of such unalloyed joy that nothing he does is unforgiveable. This is fortunate because, as a drug addict, unsurprisingly, he lies, cheats and steals. Harry is rendered as the poet, the sprite, the artist and the street saint he is.

A noir vision of a paranoid and dangerous Buenos Aires where a group of diverse Porteños are fatefully linked by a brutal killing.

An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a 'live in the now' mentality, Cristina's second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina's journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love... what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.

During a ceremony in an orthodox church in Paris, a 40-year-old writer and journalist is seduced by a young man, whom with she will live an extraordinary story of love and passion that will drive them to madness.

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

A young transgender man explores his gender identity and searches for love in rural Nebraska.

Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

A little Nenets girl Neko is taken against her will from her home to a boarding school in a remote Russian village. Forced to adapt to a foreign culture and new customs, Neko rebels and decides to flee, hoping to get back to her family and old habits.

A mother struggles to raise her daughter all by herself, and due to the economic difficulties decides to rob multiple finance houses, fooling her victims with the handle of her umbrella that she make them think is a real revolver.

Inès, a professional photographer, decides to complete a book she is working on before she gives birth to her first child. This photography project, related to the memories of her childhood, always brings her back to the same place: the family home in southern Argentina that shaped her youth and forged her character. It also contains the only photo Inès still has of her with her father, before he disappeared as a victim of the military dictatorship. This photo is the starting point of a jigsaw puzzle of fragmentary memories about the relationships Inès had with her mother and her brother.

Little Wing tells the story of 12-year-old Varpu, who's quickly growing to adulthood, and about her mother, who doesn't want to grow up. Varpu lives with her mother and has never met her father. One night Varpu has enough of her riding buddies and her mother. She steals a car and drives up north in search of her father, of whom she only knows the name. But her father is not exactly what she had expected. Meeting him trigger something in Varpu and mother's life, making them realize their role in each other's lives, and in the world.

An authentic and convincing story of a small boy, son of a disrupted young couple, with all the typical hostile reactions about his mother's new love relationship and a behavior showing a mixture of love and resentment towards her, ending in a curious and somewhat moving friendship between the child and a Russian migrant worker who in a certain way replaces his estranged father.

The inspiring life story of the late photojournalist, artist and activist Dan Eldon, who abandoned a comfortable life in London to document the struggle, heartbreak and hope of a war-torn and famine-ridden region of Africa.

In the turbulent aftermath of the Tunisian revolution, young Samia flees her homeland. She braves hostile seas in the crossing to France, but once there she finds that her struggles have only just begun. With no friends, no family, and — most crucially — no immigration papers, Samia has to figure out how to make a life and a living in a foreign land. She meets a young man, Imed, and soon finds work in the employ of the elegant Leila. But her presence in Leila's middle-class household triggers a shift in its dynamics, and soon Samia is enmeshed in a web of sexual tension.

A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters' lives.

A nurse traffics the ID cards of demented patients on the black market of identity theft. Driven by easy cash, and an addiction to morphine, she struggles to keep tabs on her emotional void, and a growing fear of punishment.