42nd Street Forever, Volume 1

The wedding of Buryat shepherd boy Batyr turns into a nightmare - the bride has her head chopped off. The village policeman Zhadadyr detains Batyr. In prison he gets to know the Swedish porn king Sven, who is still in jail for perverse sex acts during the 1980 Moscow Olympics. The Swede tells Batyr a terrible secret about alien robots. After the end of his prison term. Batyr returns to his village and becomes a policeman. He is still haunted by the question of the murder of his bride and does not refrain from murdering the suspects himself. And suddenly the alien terminator robots attack, but Batyr is not afraid of anything!

A gang of thugs devise a cruel hoax that goes horribly wrong as Melvin, a nerdy emaciated janitor at the local health club, is cast through a third story window into a vat of hazardous toxic waste.

2015 featurette documentary behind the experience of Nightmare and grindhouse cinema.

Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.

Insightful new documentary in which Jeff Lieberman, Roy Frumkes, Matt Cimber and Joe Ellison share memories of the slime and grime of the grindhouse glory days!

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

A swinging, hypocritical college student cat raises hell in a satirical vision of the 1960s.

36 years after a local tragedy, a small group of teens accidently awaken an ancient evil in a seemingly abandoned swamp. They must now attempt to escape as the evil picks them off one by one, in an homage to 70's Grindhouse and Exploitation Cinema (But mostly 'Evil Dead').

This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.

Actor Robert Culp introduces trailers for and scenes from movies from Action International Pictures.

A collection of Trailers from Low Budget Underground Horror Movies from across the globe

Young black man teams up with a Chinese kung-fu expert to fight a drug ring.

A compilation of 32 trailers from the golden age of cinema roughies.

A town is under siege by a gang of drug dealers when from seemingly out of nowhere, a mysterious man in black astride a motorcycle, begins targeting the junk peddlers for death!

This spectacular showcase of vintage movie trailers offers a crash course in lesbian, gay, bi and transgender (LGBT) movie history and a colorful look at nearly every major mainstream queer-themed film produced between 1953 and 1977! Archivist Jenni Olson is one of the world’s leading experts on LGBT film history — curated from her private collection of rare original 35mm coming attractions trailers, Homo Promo has entertained audiences at LGBT film festivals around the world offering a campy cavalcade of coming attractions. Please note: The condition of these original 35mm archival prints varies — enjoy the wear and tear and rest assured that they have now all been donated to the Outfest/UCLA Legacy Project for LGBT Film Preservation where they are now being properly cared for.

This fantastic sequel to the original Homo Promo features original 35mm trailers from some of the most well-known LGBTQ movies of the 1980s and early 90s. This wonderful mix of mainstream and independent trailers reveals the unique distinctions between Hollywood insiders and outsiders as these three-minute masterpieces sell the Gay New Wave, the New Queer Cinema and everything from camp to homophobia. Highlights include trailers for Making Love (1982), Personal Best (1982), Poison (1991), Young Soul Rebels (1991) and It's Pat (1994)!

A compilation of "coming attractions" from bad '50s melodrama through the greatest disaster movies of the '70s. Features a chain of your divas including Bette Davis in What Ever Happened to Baby Jane?, Jeanne Moreau in Mademoiselle, Elizabeth Taylor in Butterfield 8 and Boom, Kim Novak in The Legend of Lylah Clare, Susan Hayward in I'll Cry Tomorrow, and Judy Garland in I Could Go On Singing. One clips is a young Rock Hudson promoting Christmas Seals. Bride of Trailer Camp includes specimens of movie trailer artistry.

Deranged projectionist Mad Ron shows a movie theater full of rowdy zombies a diverse assortment of horror and exploitation film trailers from his private collection while ventriloquist Nick Pawlow and his foul-mouthed zombie dummy Happy Goldsplatt provide lowbrow comic relief.

A young man discovers an ominous jar of Purple Stuff in his fridge that leads to dire consequences when unleashed.

Incited by a disillusioned young man who has decided to flee from civilization, a group of 4 people go searching for freedom and happiness on an isolated island . When their boat goes astray and they are left without food, their animal instincts take over, bringing the film to its catastrophic end.