42nd Street Forever, Volume 1

Las Vegas, 1972. In a decade drenched in blood, confusion, and paranoia, a new serial killer lurks beneath the neon shadows, ripping bodies apart. And what was once America’s glittering playground has now become a neon-lit graveyard, paralyzed with horror. But this isn’t your average homicidal psychopath. This one walks, talks, and sings like an angel... but behind his mask lies an unholy hunger that is nowhere near being fulfilled. VAMPIRE ELVIS is a vile, carnal, grim, and seductive grindhouse relic, coming from the darkest corner of hypnagogic nightmares. A bizarre love letter to cult cinema, where rock 'n' roll rots, icons collapse, and desire outweighs reason. You’ve never seen a vampire film like this. And you sure as hell ain’t seen HIM like this. So turn the lights low. Lock the door. And whatever you do... don’t let HIM in!

In late 1960s New York City, fed up with monotonous college life and police repression, free-spirited Fritz, an impenitent seducer and unrestrained party-animal, decides to explore the world. And just like that, as he flees NYC, heading to San Francisco, Fritz embarks on an endless adventure of illumination. Immersed in a world surrounded by drugs and sex, Fritz participates in mad orgies, brings about a revolution, incites mass urban riots, and crosses paths with drug-addled Nazi bikers.

The wedding of Buryat shepherd boy Batyr turns into a nightmare - the bride has her head chopped off. The village policeman Zhadadyr detains Batyr. In prison he gets to know the Swedish porn king Sven, who is still in jail for perverse sex acts during the 1980 Moscow Olympics. The Swede tells Batyr a terrible secret about alien robots. After the end of his prison term. Batyr returns to his village and becomes a policeman. He is still haunted by the question of the murder of his bride and does not refrain from murdering the suspects himself. And suddenly the alien terminator robots attack, but Batyr is not afraid of anything!

Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.

In 1984, a massive fire destroyed the entire 17-year output of an exploitation movie studio. But the recent discovery of eleven lost trailers sheds a light on this disrespected, long-forgotten B-movie factory, and the mogul at its center.

From the Marx Brothers to Schindler's List, this compilation of Jewish film trailers offers a glimpse at the history of Jews in American cinema. A mixture of humor, social commentary, and drama, these original coming attractions trailers offer insight into the relationship between Hollywood's studio marketing departments and the growing visibility of Jews in American life. Trailers Schmailers includes spotlights on Woody Allen and Barbra Streisand, an overview of films about New York Jewish life, a look at the evolution of films about the holocaust, and more.

2015 featurette documentary behind the experience of Nightmare and grindhouse cinema.

Insightful new documentary in which Jeff Lieberman, Roy Frumkes, Matt Cimber and Joe Ellison share memories of the slime and grime of the grindhouse glory days!

A gang of thugs devise a cruel hoax that goes horribly wrong as Melvin, a nerdy emaciated janitor at the local health club, is cast through a third story window into a vat of hazardous toxic waste.

Stud's world revolves entirely around sex, sex, and more sex — an interest he shares with his way-out friends and his girl Kitty, who likes her men mean and muscular!

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

Young black man teams up with a Chinese kung-fu expert to fight a drug ring.

A collection of Trailers from Low Budget Underground Horror Movies from across the globe

Actor Robert Culp introduces trailers for and scenes from movies from Action International Pictures.

This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.

A compilation of 32 trailers from the golden age of cinema roughies.

Coffin Joe takes you into his mad world and shows some of the strangest trailers from South America.

A far-out trip through two hours of psychedelic clips from 1960's hippie flicks.

A young man discovers an ominous jar of Purple Stuff in his fridge that leads to dire consequences when unleashed.

In a pound, 18 dogs wait to be adopted.