42nd Street Forever, Volume 1

Las Vegas, 1972. In a decade drenched in blood, confusion, and paranoia, a new serial killer lurks beneath the neon shadows, ripping bodies apart. And what was once America’s glittering playground has now become a neon-lit graveyard, paralyzed with horror. But this isn’t your average homicidal psychopath. This one walks, talks, and sings like an angel... but behind his mask lies an unholy hunger that is nowhere near being fulfilled. VAMPIRE ELVIS is a vile, carnal, grim, and seductive grindhouse relic, coming from the darkest corner of hypnagogic nightmares. A bizarre love letter to cult cinema, where rock 'n' roll rots, icons collapse, and desire outweighs reason. You’ve never seen a vampire film like this. And you sure as hell ain’t seen HIM like this. So turn the lights low. Lock the door. And whatever you do... don’t let HIM in!

A gang of thugs devise a cruel hoax that goes horribly wrong as Melvin, a nerdy emaciated janitor at the local health club, is cast through a third story window into a vat of hazardous toxic waste.

The wedding of Buryat shepherd boy Batyr turns into a nightmare - the bride has her head chopped off. The village policeman Zhadadyr detains Batyr. In prison he gets to know the Swedish porn king Sven, who is still in jail for perverse sex acts during the 1980 Moscow Olympics. The Swede tells Batyr a terrible secret about alien robots. After the end of his prison term. Batyr returns to his village and becomes a policeman. He is still haunted by the question of the murder of his bride and does not refrain from murdering the suspects himself. And suddenly the alien terminator robots attack, but Batyr is not afraid of anything!

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

In late 1960s New York City, fed up with monotonous college life and police repression, free-spirited Fritz, an impenitent seducer and unrestrained party-animal, decides to explore the world. And just like that, as he flees NYC, heading to San Francisco, Fritz embarks on an endless adventure of illumination. Immersed in a world surrounded by drugs and sex, Fritz participates in mad orgies, brings about a revolution, incites mass urban riots, and crosses paths with drug-addled Nazi bikers.

Stud's world revolves entirely around sex, sex, and more sex — an interest he shares with his way-out friends and his girl Kitty, who likes her men mean and muscular!

Actor Robert Culp introduces trailers for and scenes from movies from Action International Pictures.

This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.

Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.

From the Marx Brothers to Schindler's List, this compilation of Jewish film trailers offers a glimpse at the history of Jews in American cinema. A mixture of humor, social commentary, and drama, these original coming attractions trailers offer insight into the relationship between Hollywood's studio marketing departments and the growing visibility of Jews in American life. Trailers Schmailers includes spotlights on Woody Allen and Barbra Streisand, an overview of films about New York Jewish life, a look at the evolution of films about the holocaust, and more.

Young black man teams up with a Chinese kung-fu expert to fight a drug ring.

Satan lets Jezebel return to earth to deliver the soul of a blonde virgin named Rachel by taking over her body. However, Jezebel gets more than she bargained for.

In a pound, 18 dogs wait to be adopted.

In 1984, a massive fire destroyed the entire 17-year output of an exploitation movie studio. But the recent discovery of eleven lost trailers sheds a light on this disrespected, long-forgotten B-movie factory, and the mogul at its center.

A town is under siege by a gang of drug dealers when from seemingly out of nowhere, a mysterious man in black astride a motorcycle, begins targeting the junk peddlers for death!

A compilation of 32 trailers from the golden age of cinema roughies.

Deranged projectionist Mad Ron shows a movie theater full of rowdy zombies a diverse assortment of horror and exploitation film trailers from his private collection while ventriloquist Nick Pawlow and his foul-mouthed zombie dummy Happy Goldsplatt provide lowbrow comic relief.

Incited by a disillusioned young man who has decided to flee from civilization, a group of 4 people go searching for freedom and happiness on an isolated island . When their boat goes astray and they are left without food, their animal instincts take over, bringing the film to its catastrophic end.

A compilation of "coming attractions" from bad '50s melodrama through the greatest disaster movies of the '70s. Features a chain of your divas including Bette Davis in What Ever Happened to Baby Jane?, Jeanne Moreau in Mademoiselle, Elizabeth Taylor in Butterfield 8 and Boom, Kim Novak in The Legend of Lylah Clare, Susan Hayward in I'll Cry Tomorrow, and Judy Garland in I Could Go On Singing. One clips is a young Rock Hudson promoting Christmas Seals. Bride of Trailer Camp includes specimens of movie trailer artistry.