Paths in the Night

OSTKREUZ tells the episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Wall. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.

Based on a true story, Miguel Alexandre's two-part drama focuses on an East German woman and the fight for her children. Spring 1982: Sara Bender, living with her daughters Silvia and Sabine in the East German town of Erfurt, wants to marry her colleague Peter, but shortly before the wedding, her father is killed in a road accident. As the funeral takes place in West Germany, she isn't allowed to got there, so she starts planning to leave her communist home country forever. Trying to flee via Romania, she is caught by the secret service. After years in jail, Sara is ransomed by the West German government, but without her daughters. To draw the world's attention on her desperate situation, she starts demonstrating at the Berlin border crossing Checkpoint Charlie

Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

Sister Agnes helps in all situations and does not only make friends. She has just fallen out with the new mayor. The consequences leave an entire community upside down.

Verzeihung, sehen Sie Fußball?

18-year old Georg and 13-year old Barbara have been playing together as children. Play becomes love later, which leads to a catastrophe , as their parents are hostile leading to file a report to the court, as Barbara is still under age.

In 1988, the East Berlin homicide squad again and again encounters crimes that - according to the opinion of party leadership and state security - do not exist in socialism.

The movie tells a true story in the life of well-known German actor Manfred Krug. Living in the German Democratic Republic he is forced to leave the country after protesting against the expatriation of singer/songwriter Wolf Biermann in 1976.

The school authorities want to read success stories in director Joachim Faber's reports. But they cannot simply be produced on an assembly line. Pupils, for example, use the wrong tone. The matter draws circles until the superiors finally talk about refusal to work. Director Faber is caught between the efforts to resolve the conflict with pedagogical means and the pressure from above.

Wolf Brandin is in his mid-twenties and lives with his wife and child in East Berlin at the end of the 1950s. In West Berlin, the student of electrical engineering is recruited by the American secret service CIA. But Brandin immediately notifies the State Security of the German Democratic Republic and from then on lives a dangerous life as a double agent. When Brandin reaches the breaking point, his marriage starts to unravel because Brandin is not allowed to tell his family about his double life.

In August of 1914, amidst the public ecstasy surrounding the impending war, Hans Gastl, the young son of a Munich bürger, makes a decision: he will not take part in this war. This resolution signifies a turning point in his life; a farewell to his class and his family.

Ete and Ali are discharged from the army. Since Ete knows that his wife is having an affair, he doesn't want to go home. Ali tries to persuade his friend to stand up for himself and to kick the other man out. But since Ete obviously lacks courage, Ali himself goes into action and gets rid of the rival lover. At first, Mary and Ete seem to reconcile, but repairing their marriage won't work.

Scenes from an East German marriage. A young couple, Sonya and Jens, are very much in love; they get married and have a child. When Sonya wants to go back to work after her maternity leave, they clash for the first time; Jens insists that she remain a full-time wife and mother. Until Death Do Us Part turns an actual police report into a gripping drama, as the director explores the depths of his characters' emotions, driving the conflict to a catastrophic climax.

The former athlete Barbara follows her husband to the province and attempts to masters her new life, even after her separation from him.

High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.

The brothers Theo and Gustav Benthin pull profits through smuggling in divided Germany: Theo in the West and Gustav in the East. The East German police catch on quickly, however, and Gustav is arrested. The small band of smugglers disperses, with Gustav’s chauffer Peter Naumann fleeing to the West and his sister choosing the East after struggling to find work and lodging in the West.

Außenseiter

At the end of the 1950s, the production of optics in the German Democratic Republic has reached top quality and instigates interest in the West. When national demand rises strongly and at the same time the export to South America heavily decreases, the Volkspolizei - the GDR police force - starts to look into the case. Two seemingly unrelated cases are the starting point for the investigation by second lieutenant Schellenberg of the department for optics racketeering: An old woman who was arrested in the Berlin city railway for trying to smuggle a pair of binoculars to West Berlin, and a dead person in an area of allotments who was involved in obscure dealings with optical devices.

The electrician Peter Drews is a brigadier at a Baltic Sea dockyard. His men are among the most reliable and diligent workers at the dockyard. Their motivation, however, increasingly suffers from Peter’s narcissism and imperiousness. Even his girlfriend Brigitte who is also a member of the brigade finds it increasingly difficult to accept his behavior. One day, Peter decides that the entire group must enter the navy - just because he has received his conscription call. While four men follow Peter into the navy, Brigitte, who has broken up with Peter, takes over the control of the brigade. During the work at the ship on which Peter is based at she meets the charming lieutenant Asmus.

15-year old Klaus Kambor, called Kurbel, is living in a village in Lusatia and already thinks of himself as an adult. He can hold a lot of rhubarb wine and has already kissed a girl. But with his new method of lawn mowing, which he thinks is brilliant, Klaus makes a big mistake: He causes a wild fire in the forest. Then he does not react adult-like at all, but shirks the responsibility, which leads to the break-up with his girlfriend Daniela. Furthermore, Klaus does not realize that several of the places he likes the most in his environment are now going to be sacrificed to mining. When Klaus becomes friends with the teacher Konzak and with the construction worker Jule, he feels understood for the first time and starts to take more responsibility.