This documentary reveals the most violent part of the most violent city (Medellin) of the most violent country (Colombia) in the world. For around 75 minutes, different people from Medellin explain how difficult it is to live and survive in a city where violence, weapons, killing is common. Everyday, someone you know may die or get wounded by one of the different armed factions that struggle throughout the country and in the cities to take control over the population, drug cartel, politics, etc... sometimes for no reasons at all but fun.
A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.
In the depths of the Colombian jungle, the skeleton of an immense abandoned cement bridge is tucked away. It has turned into a delusional tourist attraction.
After an extensive immersion work on abandoned childhood, Ciro Durán presents, from his point of view, the life of street children, who have broken all family ties and have regrouped to survive in the concrete jungle.
The stories told in this documentary span the twenty-five years of existence of the now-defunct La Gorgona prison, located on the island of the same name. Thus, confinement, violence, and isolation gave rise to many escape attempts, but few were successful. Through interviews with individuals who experienced these events firsthand, the use of animated reenactments, and the emphasis on the power of nature, this work visually reproduces journalist Silvia Luz Gutiérrez's investigation into the mysteries surrounding various characters and their different fates.
The North of Cauca is the region of Colombia most affected by the internal armed conflict since 1940. There is an orchestra of ancestral music composed of young indigenous people of the Nasa ethnic group who, with their instruments, their voice and their poetry, remember Maryi Vanessa Coicue, Sebastian Ul and Ingrid Guejia, three of the hundreds of indigenous children who have died because of this eternal and useless war between leftist guerrillas, armed groups of the extreme right, drug traffickers and the Colombian State.
Colombia rumbo al mundial
A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.
In Bogotá, urban public transport drivers do not receive a fixed salary. This has triggered a daily war marked by an anguishing and dangerous routine that only benefits large business owners and leaves the State as an indifferent bystander.
In the darkness of a long night, the Colombian country shows another face. An invisible world takes the place of the other one. So one better stays at home and open his ears: half-human and half-beast, something is wandering in the dark. Only some people are able to face it. During her whole life, Carmen was one of them...
Colombia will never be the same after those 61 days of the Social and Community Minga, which began on October 11, 2008, and culminated in Bogotá’s Plaza de Bolívar. From Cauca, the people of thought, speech, and dignity rose up to reject—in solidarity with “Another Colombia”—the state policies that, through terror, subject them to hunger and misery. As expected, the government responded with terror to a peaceful mobilization, and its actions left two dead and 120 injured.
After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.
If you take a pinch of Khoi-San lament, a dash of Malay spice, a bold measure of European orchestral, a splash of Xhosa spiritual, a clash of marching bands, a riff of rock, the pizzazz of the Klopse, some driving primal beat, and a lot of humour and musical virtuosity, what do you get? Goema Goema Goema! Weaving together the ancient, the traditional, and the classical into the contemporary universal sound of Cape Town, Mac MacKenzie, musical mastermind and founder of The Genuines and The Goema Captains of Cape Town, puts together the final touches to the culmination of his life’s work: Goema in Five Movements. Musicians and musical commentators Hilton Schilder, Neo Muyanga, Iain Harris and Graham Arendse, and new kids on the block, Kyle Shepherd and Shane Cooper, add a contemporary context to Goema, while the orchestra rehearses for its premiere performance at the SABC studios.
Faced with his imminent death from AIDS, Colombian artist Lorenzo Jaramillo looks back on his life and work through the five senses.
The real-life story of Benjamín García, a man who dressed up as Dracula in Barranquilla's Carnival and ended up believing he was the Count of Transylvania.
El Acordeón Del Diablo
In the mid-1980s, peace initiatives between the Colombian government and the guerrilla group, FARC, led the latter to disband after two decades of fighting and establish a legal-political party, the Union Patriótica (Patriotic Union). As the UP met with some successs in local elections, it became a target of right-wing death squads and paramilitaries. So far, 3,000 UP members have been murdered or have disappeared, making it a case of political genocide unparalleled in the world. The documentary "The Red Dance" views, through the memories of survivors and relatives of victims, this period of terror and assassination. While FARC has reverted to war, a petition is pending before the Inter-American Commission on Human Rights (IACHR) regarding human rights violations by the State of Colombia.
The village of Tamaquito lies deep in the forests of Colombia. Here, nature provides the people with everything they need. But the Wayúu community's way of life is being destroyed by the vast and rapidly growing El Cerrejón coal mine. Determined to save his community from forced resettlement, the leader Jairo Fuentes negotiates with the mine's operators, which soon becomes a fight to survive.
Sumercé follows veteran activist Don Eduardo, rising political leader César Pachón and agricultural educator Rosita as they fight their government’s decision to allow companies to carve up the campesinos birthright in rural Colombia and the country's access to fresh water.
Lo Mejor de Jaime Garzón