Caracas, Venezuela. 1982. Ryan of the DEA and Carlos the PTJ join forces to stop the most dangerous drug lord of the country, Disco Herrera.
When the Velezes agree to buy a used Chevrolet Bel-Air from their neighbors, who've recently won a brand-new car in a school raffle, they're thrilled about the prospect of leaving Bogotá's public transportation system behind. Little do they know that, despite its glossy red exterior, their newfound status symbol is a real lemon. Colombian director Luis Orjuela helms this hilarious look at the pitfalls of automobile ownership.
A babysitter takes the son of a wealthy family for a walk in the park. After a carelessness of the babysitter, the child follows two children from the street, who before returning him with her, will be responsible for giving him the best day of his life.
Three street mimes pretend to be guerrilla fighters who want to rejoin society thus obtaining permission from the government to go into exile in Spain in exchange for demobilizing...
A man working in a fish cannery has a guilty conscience and begins to imagine he is a murderer. In his delirium/dream the fish try him for murder in a crazy court-room scene at the bottom of the ocean, which incorporates the 'Information, Please" radio routine, and also has a fish-jury who sing a little ditty called "There's Nothing On the End of the Hook." Re-released to theaters again in 1954, before Columbia sold it to television stations.
A mid-class Colombian family get into chaos when it's found out that the "Lord of the house", Benjamín, has been cheating on his wife for 20 years and has another son.
A man catches his girlfriend cheating on him with his boss, and gets fired because of this. When he finds his boss cheating on his ex-girlfriend, he blackmails him, but things will end up upside-down, when a murder shows up
A black office comedy about a head of human resources who threatens to run away with his wife's best friend to escape the insanity around him.
"I choose the window" tells common episodes of life: steps for rumbeo, test anecdotes, pre-puberty, life in the office, marriage, courtship, among other incidents. The particular name of his new work was put in honor of an anecdote: when he was 16 years old he belonged to a rock band called "I ask for the window"; Lopez said he was kicked out of the band and then decided to be a storyteller.
Mi abuelo, mi papá y yo
Two childhood friends (Rivera and Mendoza) re-encounter when one of them, a famous soccer player who didn't have time to hang out with the other, gets injured.
A wealthy Columbian politician blinded by his own privilege is forced to walk a mile in the shoes of the people he despises most after falling victim to a violent attack and subsequently losing his memory. Miguel was a man of fine stock, a politician who has led a charmed life since the day he was born. But Miguel has no appreciation for his lot in life, and scoffs at the everyday people who must struggle just to survive. One day, after being assaulted on the street and left for dead, Miguel awakens with no memory of the past. He has forgotten his distain for the dumpster divers, petty thieves, and wandering transients who crowd the city streets, and now their warmth and solidarity is the only thing keeping him alive. As Miguel forges a friendship with a pious but promiscuous drag queen, the fragments of the past gradually become illuminated in his mind, prompting him on a desperate quest to reclaim his identity and atone for the sins of his past.
Ricardo Caicedo’s perfect life as a successful businessman is shattered when an explosion rocks the El Nogal social club on the very night he was supposed to attend a business dinner.
Amparo, a mysterious woman, offers a large payment to quickly cremate a young woman named Lucia. When the funeral home owners refuse, they later discover the body has vanished and, in panic, give Amparo another person’s ashes instead. She pays and leaves, unaware that this mistake will lead the undertakers into the worst trouble of their lives.
Nochebuena
Locos
Te Amo Ana Elisa
After seeing how the Colombian National Football Team achieves a draw against Argentina, Mariano Concha —a public employee for whom football is a great passion— starts a whole process to attend the next crucial match, in Bogotá and against the same team, going over all his duties and risking the future of his reduced economy. An unexpected event transforms his plans to go to the stadium.
La Esquina
In San Andresito, anything can be found: From trendy shoes or expensive perfumes, to cellphones, candies and movies. In this place, Agent Wilson Tenorio is falsely accused of murder and must prove his innocence to save his life.