Dublin in Brass

The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.

An American man returns to the village of his birth in Ireland, where he finds love and conflict.

In 2011 Jon Kenny & Pat Shortt decided to reunite for a national tour of the award winning hit show 'One Hell of a Do'. This hilarious comedy celebrates the unique talent of Ireland's most famous wedding/pub band - Tom & Gerry (D'Unbelievables) - who, on receiving an award entitled the 'Golden Microphone of the Year Award for the best wedding/pub band in Ireland' recall the hilarious happenings during the day of the Donoghue Wedding. Filmed in front of a live audience at The Royal Theatre, Castlebar in 2011

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

A party, musical love stories: head North, on a Northern Soul rhythm.

In this musical-comedy short, an out-of-work theatre troupe assumes management of the debt-ridden Grand Majestic Hotel.

When a girl delivering expensive garments loses them to some Irish shanty town kids, her boss, a Jewish clothier, is livid and a fight breaks out. Soon the melee spreads to the whole neighborhood with brick throwing merging into bomb throwing, with the sides on clearly ethnic lines.

Irish seaman Vic Brennan persuades his Dublin family to finance a truck-hauling business in the remote African town of Jebanda. The only stipulation is that his cousin Samuel, a timid bank clerk, accompany Vic and his Corsican bride, Marie, to Africa and protect the family fortune.

This musical short focuses on the trials and tribulations of a saloon singer.

On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.

Sharon Curley is a 20-year-old living with her parents and many brothers and sisters in Dublin. When she gets pregnant and refuses to name the father, she becomes the talk of the town.

Fresh out of prison, Git rescues a former best friend (now living with Git's girlfriend) from a beating at the hands of loan sharks. He's now in trouble with the mob boss, Tom French, who sends Git to Cork with another debtor, Bunny Kelly, to find a guy named Frank Grogan, and take him to a man with a friendly face at a shack across a bog. It's a tougher assignment than it seems: Git's a novice, Bunny's prone to rash acts, Frank doesn't want to be found (and once he's found, he has no money), and maybe Tom's planning to murder Frank, which puts Git in a moral dilemma. Then, there's the long-ago disappearance of Sonny Mulligan. What's a decent and stand-up lad to do?

Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.

Anatole France's The Man Who Married a Dumb Wife has been adapted into three different Hong Kong films in the 1950s alone. These two adaptations stray from the source material considerably in genre, characterisation and plot, turning a farce about married life into localised romantic comedies that emphasise family values. The Beauty and the Dumb follows the couple from their meet-cute to the misunderstandings they encounter before the inevitable happy ending. The heir of a bank (Huang He) falls in love at first sight with one of the employees' daughter (Li Lihua), but their burgeoning relationship is nearly derailed when the girl's father intervenes to help his dumb daughter land a rich husband.

Ray and Ken, two hit men, are in Bruges, Belgium, waiting for their next mission. While they are there they have time to think and discuss their previous assignment. When the mission is revealed to Ken, it is not what he expected.

Daniel, the leader of a criminal youth gang, views new guy Victor first as a threat, then as possible addition to his gang. When Victor refuses, but sets his eyes on Daniel's Sister Nancy, Daniel orders her to get close to Victor so she can persuade him to join the gang. Daniel does not expect that instead the relationship with Victor makes Nancy longing for a life without crime. A juvenile-delinquent-crime-musical!

Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.

A reticent piano player Percival, along with Rooster, his flamboyant lead performer and manager, struggle to keep their speakeasy, in the Prohibition-era South, out of the hands of gangsters who want to take it over.

In this musical short, a man tries to woo the manager of a dance troupe.

The novelty shop owner has gone home, and that means it's time for its items to animate and have fun.