Kids + Money

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

The tobacco industry's conspiratorial efforts to market their products in the face of public health facts and public opposition.

A documentary about the three Woodstock music festivals.

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.

After fifty years of military dictatorship Burma's first girl band faces a tough reality. When you're finally allowed to speak, what do you say? In a country undergoing massive change, five feisty young women break free of tradition in their search for an original voice.

The definitive photographic record of the 1984 Los Angeles Olympics, told "from the inside" through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.

In this horrifyingly modern fairytale lurks an online Boogeyman and two 12-year-old girls who would kill for him. The entrance to the internet quickly leads to its darkest basement. How responsible are our children for what they find there?

“Nicky is seven. His parents are older and meaner.” A Place Called Lovely references the types of violence individuals find in life, from actual beatings, accidents and murders, to the more insidious violence of lies, social expectations, and betrayed faith. Benning collects images of this socially-pervasive violence from a variety of sources, tracing events from childhood: movies, tabloids, children's games (like mumbledy-peg), personal experiences, and those of others. Throughout, Benning uses small toys as props and examples—handling and controlling them the way we are, in turn, controlled by larger violent forces.

strolling (2014-2016) twenty seven episodes, various lengths, colour, digital, uk/usa/jamaica/netherlands/italy/france/belguim strolling is a documentary series that follows the dialectical ruminations of people of the black african diaspora whilst walking within their locality. the series began in london and expanded to paris, amsterdam, brussels, milan, new york and kingston, covering various subjects. the series also explores the physical manifestations of these intimate yet global discussions. emeke, who was the cinematographer and editor on this project, takes a deliberately subjective approach, lingering the lens on fleeting and subtle secondary processes that emerge manifest through hands, feet, gesture and positionality to the space in which each interviewee occupies, perhaps made possible by emeke’s decision to film subjects alone, or with only one other person present.

A documentary about Dr. Barbara Myerhoff and Los Angeles's Fairfax district.

A look at how one woman obsessively collects material things and how her family pulls together to help her out.

Fists of Pride follows Little Tiger and his fellow fighters as their Thai coaches prepare them for the annual Water Festival competition. In a boxing camp on the Thai-Burmese border the children of mostly illegal migrant workers fleeing Burma live and train for prize fights. In a region where combat sports have always been a matter of honor and money, the film reveals their daily struggles. Bets are open and as the hope of prize money rizes, the young boxers contemplate what it could mean for them and their families

Collection of six very personal documentary shorts made by female directors.

Documentary on the civil rights activist, Viola Liuzzo, who was murdered in 1965 as she campaigned for black suffrage in Selma, Alabama, and its effect on her family.

A documentary about a group of pilgrims who travel to Nepal to worship at the legendary Manakamana temple.

This short documentary is a moving tribute to Richard Cardinal, a Métis adolescent who committed suicide in 1984. Taken from his home at the age of 4 due to family problems, he spent the rest of his 17 short years moving in and out of 28 foster homes, group homes and shelters in Alberta. A sensitive, articulate young man, Richard Cardinal left behind a diary upon which this film is based.

The people of the L'íl'wat First Nation record their personal narratives about their culture, history, education, and the impact of residential schools.

Having dedicated nearly four decades to chronicling the lives of Canada's First Nations, Alanis Obomsawin returns to the village where she was raised to tell her own people's history of prosperity, displacement, endurance, and revitalization.

In the period 1891-1927, Henriette Roland Holst goes through a dramatic development. As an aspiring poet from an affluent bourgeois milieu she throws herself, full with idealism and conviction, into the labour movement. Within the various socialistic parties however, a fierce battle on direction takes place, wherein Henriette has trouble finding her place. After returning disillusioned from a trip to the Soviet Union, she does not feel at home in any leftist party. Later she will recollect on this period in her biography "Het vuur brandde voort" (translation: "The fire rages on"). The film reconstructs this period with the use of old film material combined with texts by Henriette Roland Holst herself: fragments from letters, poems, speeches and books, sparingly supplemented with personal commentary by the filmmaker.