Lost and Love

The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry after the shipwreck, everyone is afraid of him, except for Amy, who is very kind and helps him. Soon he becomes like a son for Dr. James Kennedy and romance between Yanko and Amy follows.

Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.

A man rescues a woman from a suicide attempt in a gay nightclub. Walking the streets together, she propositions him: She'll pay him to visit her at her isolated house for four consecutive nights. There he will silently watch her. He's reluctant, but agrees. As the four nights progress, they become more intimate with each other, and a mutual fascination/revulsion develops. By the end of the four-day "contract", these two total strangers will have had a profound impact on each other.

A young woman working at a retirement home takes an elderly man living there on an excursion into the countryside, but the two wind up stranded in the titular forest.

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.

A large group of children from different countries sail to the Black Sea port, heading for the international pioneer camp "Artek". Two stragglers of foreigners meet local teenagers who arrange a tour of the port for them.

In Dublin’s industrial wastelands, pre-teen Kylie drives around in a stolen car, indulging her troubled imagination.  Her grieving mother is distant and unaware until a young Guard apprehends and brings her home. He is lenient in his caution, acknowledging the family has been through a difficult time.

On vacation at a remote house by the sea a family is faced with a disturbing reality, when lost memories urge to the surface and slowly fades out, what seemed safe once - as well as the past can't be washed away.

Blaise and Nessa are outcast methadone users in their small town. Each day they push a rusty lawnmower door-to-door begging to cut grass. Nessa plots an escape, while Blaise lingers closer to collapse. Tethered to one another, their getaway dreams are kept on a suffocatingly short leash.

A barrage balloon appears unexpectedly over a Bulgarian village during World War II. The startled villagers decide to knock it down with a fusillade yet the balloon flies off to the mountains. The villagers, armed to their teeth, set off after it. But they are not alone in this undertaking...

Friendship between two old men becomes love. Slightly-unkempt, tired, and frail, Philippe Lanctot moves into a rest home. The administrator says she wants him to be happy, but that seems far from his mind: he's waiting to die. Then, into his room, unannounced, rolls the voluble Victor Laprade, who draws out Philippe over the next few months. Victor gives Philippe the gift of experiencing the moment. In return, the well-heeled Philippe organises field trips to dinner and to a botanical garden, and, unknown to Victor, becomes the man's benefactor when Victor's children get stingy. The openly-gay Victor also pushes Philippe to acknowledge feelings he's always kept suppressed.

A controversial, low-budget drama about the life of a young teenage girl that goes on the "road to ruin." Sally is a 16-year-old New York City teen who, neglected by her parents, takes up smoking and drinking, engages in affairs with a series of older men, gets arrested by the police during a strip poker game, is sent home only to discover later that she's pregnant, and after getting an illegal abortion, the words "The Wages of Sin is Death" inexpliably appear over her bed in fire.

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

A little Nenets girl Neko is taken against her will from her home to a boarding school in a remote Russian village. Forced to adapt to a foreign culture and new customs, Neko rebels and decides to flee, hoping to get back to her family and old habits.

A mother struggles to raise her daughter all by herself, and due to the economic difficulties decides to rob multiple finance houses, fooling her victims with the handle of her umbrella that she make them think is a real revolver.

A young woman invents the love she does not get and she needs. She has always done that, since childhood. It has become a disease. When Nicolas leaves her she refuses to believe it. He will love her anyway, it is needed, she needs it.

The newspapers announce the left's defeat in the upcoming elections. A confused young mother gets up in the night to take care of her child. Leftist teens, completely puzzled, throw themselves headlong into every kind of extreme behavior. The child asks his grandfather for advice.

Ana is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings.

The pain, the weakness, the silence, the despair. These are some of the feelings faced by a couple lost in drugs. Nights can be seen as the story of people who made mistakes in life, but who still continue to seek happiness. It is about the despair of hopeless lives. The characters are, from the beginning, thrown into an empty and sterile world of indifference. In this true no-man's-land, João and Teresa are confronted with their precarious existence. They are broken pillars of a love that has become silent and painful, they share everything: the house, the drugs, the emptiness and the deprivations of their lives. To make the situation even more dramatic, Teresa falls ill. João does everything to help her, betting on his love for her. He, too, an addict, knows how to ease the pain of his beloved. But unfortunately this help also requires extra money, which forces João to prostitute himself, accelerating his process of destruction and his path to a tragic end.