A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Forsaking everything she has ever known, a young girl braves punishment and death to join her condemned husband in exile. Reunited and finally free of their blood-stained past, the two lovers set out to build a new life together. But as days and then weeks pass in the endless, hostile desert, they realize how little they truly know about each other, and the banishment that was to be their new beginning tears their world apart.
The Painted Door is a Canadian short drama film, directed by Bruce Pittman and released in 1984. Based on a short story by Sinclair Ross, the film was produced by the National Film Board of Canada and Atlantis Films of Toronto. It follows a housewife who struggles with loneliness after her husband ventures into a blizzard. The film received an Academy Award nomination for Best Live Action Short Film.
At a train station, a thief steals from a couple while the passengers are getting off the train. The boy runs after the thief and disappears. The girl, alone and lost, decides to go out into the street.
Miranda is a university student working on a thesis on haiku, with an experimental twist that her advisor doesn't understand. She also bought a painting of the sea that is losing water.
The black and white, live-action Swiss Trip, scored with Bach's 3rd Brandenburg Concerto (like Motion Painting No. 1), is kind of a nature or travel film cut via noticeable (in-camera?) edits that give the impression the film is constantly blinking and foreshadow techniques Stan Brakhage would use in the '50s and '60s. Preserved by the Academy Film Archive in 2000.
An intersex runaway searches for love and a way out of his working class neighborhood in New Jersey.
A Hyper Battle DVD movie based on Kamen Rider Revice.
In a future world where memories are handled like computer files, two lovers decide to undergo a procedure and have their entire relationship wiped from their brains.
Wayne, an awkward loner, has just started working the graveyard shift as an apprentice mortician. When his merciless supervisor leaves him alone and in charge for the night, Wayne decides to make the most of it. Starring Anton Yelchin, this controversial short film was cut from the theatrical release of Movie 43 for pushing the boundaries too far.
For anyone who has ever confronted a difficult decision in which none of the solutions seems like the right one, CROSSROADS will have a special resonance. Made at a time when the director was facing great uncertainty in his life, the film is an extended, often humorous, look at a man pulled in too many directions, in a world in which everything keeps changing and all roads seem to lead back to the beginning.
This tongue-in-cheek cautionary tale by Croatian director Zlatko Grgic traces man's checkered history with fire, and shows how growing carelessness in the form of overloaded sockets, smoldering cigarettes and other fire hazards can have highly undesirable consequences.
Françoise provokes a chain reaction amongst people as she appears in a Japanese restaurant during lunchtime...
What happens when Humanity arrives at the technological singularity and achieves digital immortality? Where do we go from here?
On a night out with the lads, one individual decides that there is more to socializing than mere face value.
Marie, the daughter of a pastor, and major Trolle are young and in love, and they seem destined to become engaged. Everything is coming up roses when a serpent enters this Paradise. Trolle’s close friend, Hoffmann, begins making passes at Marie, and even in the face of consistent rejections he remains tireless in his pursuit. When he assaults Marie one evening, Trolle surprises them and mistakenly thinks they are having an affair. Marie is deeply hurt by Trolle’s distrust of her, so she leaves him quietly and finds employment at the Scala Theatre. When she is to perform some time later, Hoffmann is present – as is Trolle, who has realised his mistake. When she receives an ingratiating message from Hoffmann, she makes an impulsive and fateful decision. Stumfilm.dk
A dance film that serves as an expression of feminine rage and channels the spirits of those whose land we walk, create, and dance on.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
This short tells the story of 4 wounded soldiers recovering In a hospital room, and only one of them can see out a near window as he describes to the others what is happening outside.