Cao Fei explores a virtual metropolis within the online platform Second Life. The work blends real and fictional elements of Chinese identity and urbanism to comment on capitalism and development in the aftermath of the global financial crisis. Marxist iconography intersects with modern corporate structures, creating a dystopian yet whimsical reflection on 21st-century economic realities.
China, in the early sixties: an angry mob is persecuting a rich landowner. Mei, a young worker, who is part of the crowd. Suddenly she recognizes the victim who she secretly loves. Frightened of revealing her feelings, Mei doesn't know what to do.
An artist looks back on his younger years at the Chongqing Art Academy in the turbulent 1990s. The selection and demands used to be killing. He was close friends with two boys and a girl. They fought with local youngsters and tried to give each other pep talks. Parallels with the childhood years of his parents, during the Cultural Revolution, also show violence and gun battles. Semi-autobiographical, with motion capture.
During the period of Culture Revolution in 1960s and 1970s in China, a disable old man wanted to use his handicraft, a snuff bottle with inside painting, for the exchange of “Grain Coupon” from a soldier. The soldier promised to give more coupons if the old man can forge a precious stamp. The old man had to do it, however, he failed and fell out with the soldier. At the end, the old man got grain in another way.
Married couple Fugui and Jiazhen endure tumultuous events in mid-20th century mainland China as their personal fortunes move from wealthy landownership to peasantry.
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
A flying saucer hidden in a Red Chinese peasant village is sought by teams from the United States and U.S.S.R. On finding it, they band together to explore the saucer and take a trip into space.
Peasants that were targeted as counter-revolutionaries during the Cultural Revolution in China share their stories in this documentary by Xu Xing.
Set in the frozen steppes of Mongolia, a young nomad is confronted with his destiny after animals fall victim to a plague which threatens to eradicate nomadism.
During the Cultural Revolution, two young men are sent to a remote mining village where they fall in love with the local tailor's beautiful granddaughter and discover a suitcase full of forbidden Western novels.
A group of performing art troupe members each face their own trials and tribulations in Chengdu; from escaping a family scandal to dealing with unrequited love, each experiences rejection that shapes their lives.
After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.
The touching encounter of two drifting beings - Meiting, a hairdresser, and Chen Mo, a street vendor, in Beijing. A strange relationship on the background of survival and anonymous urbanization, a chronicle on the survival of feelings.
The rock-wild youth of the 1960s during the apparitions of their idols.
Two boys meet at an opera training school in Peking in 1924. Their resulting friendship will span nearly 70 years and endure some of the most troublesome times in China's history.
An American Merchant Marine captain, rescued from a Chinese Communist jail by local villagers, is "shanghaied" into transporting the entire village to Hong Kong on an ancient paddle steamer.
Red Guards were a student movement supported by Mao Zedong in 1966-67 during the Cultural Revolution. A group of students at Qinghua University who issued 2 big-character posters in May-June 1966 called themselves Red Guards. The students criticised the university administration of elitism and bourgeois tendencies. In August 1966 Mao Zedong expressed support for the Red Guards. This gave the student movement political legitimacy and it spread outside Beijing. The Red Guards started to attack the Four Olds and marched across China to eradicate old ideas, old cultures, old customs and old habits. Ultimately the struggle between different Red Guard factions led to a chaotic civil-war-like situation. During 1967-68 the Peoples Liberation Army got the movement under control and restored social order. Beginning late 1968 members of the Red Guard movement were sent to the countryside to undergo re-education. We met and filmed them in August 1971.
Documentary covering the current state of both the theoretical and practical development of the various scientific basic principles that served, as per Gene Roddenberry's dictum, as a believable basis at the time for The Original Series. Several real-world scientists are interviewed, not a few of them unabashedly admitting they went into their chosen field of profession because of Star Trek: The Original Series.
Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.
In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.