“Nicky is seven. His parents are older and meaner.” A Place Called Lovely references the types of violence individuals find in life, from actual beatings, accidents and murders, to the more insidious violence of lies, social expectations, and betrayed faith. Benning collects images of this socially-pervasive violence from a variety of sources, tracing events from childhood: movies, tabloids, children's games (like mumbledy-peg), personal experiences, and those of others. Throughout, Benning uses small toys as props and examples—handling and controlling them the way we are, in turn, controlled by larger violent forces.
In 2000, Illinois Gov. George Ryan ordered a moratorium on the death penalty after university students uncovered new evidence proving the innocence of 13 men on death row. This documentary follows the hearings held by a panel Ryan appointed to study the issue and interviews activists, scholars and prisoners, while examining the history of the American death penalty. As Ryan's time in office comes to an end, he must decide what steps to take to reform the judicial system.
An intimate, hands on encounter with a maximum security juvenile correctional facility in Chino California.
Conceived as an electronic road movie, this documentary investigates cutting edge technologies and their influence on our culture as we approach the 21st century. It takes off from the idea that mankind's effort to tap the power of Nature has been so successful that a new world is suddenly emerging,an artificial reality. Virtual Reality, digital and biotechnology, plastic surgery and mood-altering drugs promise seemingly unlimited powers to our bodies, and our selves. This film presents the implications of having access to such power as we all scramble to inhabit our latest science fictions.
This gripping documentary investigates the disappearance of young women from assembly plants that line the Mexican-American border.
Documentary on a recovering crack addict and her troubled daughter as they navigate the obstacles of joblessness, parenthood, welfare, and public housing.
The film is a portrayal of Zanele Muholi, a lesbian photographer working in the South African GLBT community. This thin, combative woman is already a world-wide famous artist. She defines herself as a "visual activist" in order to highlight her commitment to politics, to communicating ideas and to art. Her work includes: provocative nudes (like a female Mapplethorpe); young Zulu couples, dressed in traditional costumes, embracing each other; a homeless socially excluded lesbian couple; a dignified portrait of Victor Mukasa, the gay human rights leader from Uganda; wonderful shots of Zanele with her white partner. Beautiful and poetic pictures which are "militant" in nature since they condemn homophobia, poverty, and the public and private conflicts of a country divided between tradition and modernity.
At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
Japanese avant-garde artist Yayoi Kusama is best known for her inexhaustible creations involving polka dots, pumpkins, and vibrant colors. Her love of design has seen her join forces with top fashion houses.
"This is a landscape study of an Orkney croft, with the figure of the crofter, Mary Graham Sinclair, very much in the picture. The croft is West Aith, on the edge of a small loch, which almost every passing visitor stops to photograph or draw or paint. I have been filming this beautiful place since 1977, observing many of the human activities which alter and define how it looks." Margaret Tait
A Perfect 14 explores the fascinating world of plus-size models fighting to reshape the fashion industry and the beauty standards of society.
This spellbinding documentary re-examines the issues raised by Oliver Stone's JFK, and explores the late Jim Garrison's contention that there was a "second conspiracy" to cover up the truth, including attempts to ruin his own reputation.
A documentary from within the Swedish Migration Board's locked repository where people are in custody awaiting forced deportation. Prisoner and guard are in close proximity around the clock. Converses during sleepless nights and playing football during hot summer days. We follow Sophie, 29, who loves her job at the repository, Sami, 20, the young rebel who is locked up but free inside, and Aina, 47, who were separated from her children and kept locked up while the police are stepping up efforts to enforce their expulsion order.
Frederico Fellini's unmade film ll Viaggio di G. Mastorna Detto Fernet became a graphic novel, just before Fellini's death in 1993. This is the story of how that came to be, as told by long time Fellini collaborator and illustrator for ll Viaggio di G. Mastorna, Milo Manera. Combining still photography and moving images, the piece which was produced in conjunction with Fabrica, premiered at the Toronto International Film Festival in 2011. The short is anchored by an interview with Milo Minara shot entirely in stills. The interview discusses his personal take on the main existentialist themes of the book; this interview has been intercut with the actual graphic novel and what appears to be the lost footage (via recreation) of the story's first scene. This short doc is an exploration into dreams and fantasy, moving through different realities. Shot between Milan, Italy and Koln, Germany.
For 63 years, Tom Rose and his wife, Mary, built a life together on his family farm on Canaanville Road. Then last year Mary passed away, leaving Rose to face the future alone, surrounded by a lifetime of memories.
An unsettling and eye opening exploration into the spread of the radical Islamic school Red Mosque, which trains legions of children to devote their lives to jihad, or holy war, from a very young age. With incredible access and chilling footage, Among the Believers is a timely and relevant look into the causes that have led to the growth of radical Islam in Pakistan and around the world.
At a time in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?
From an Alaskan strip club, a Hawaiian island, and the streets of NYC—revelatory stories emerge about a deeper definition of love.
"The film was conceived as a coda to a longer (colour) film, Place of Work, made in the same year. It covers the time of finally emptying a long-time family home, with its personal memories and connection with some of my own work. Fragments of verse, along with young children's voices released into the emptying rooms and staircases, and an ersatz 'pop' music track, clarify the familiar and the alien in the situation." Margaret Tait
In 1998, 18 year old Latron Parker made documentary about difficulties growing up in Harlem. Eights years later he was shot dead on the street. Today his mother Jean fights youth gun violence and helps other parents to survive the pain through her organization, Harlem Mothers. Weaving footage from Latron’s own film with scenes from Jean’s new life today.