Amelia and Michael

A date takes an unexpected turn in this meditation on race, politics, and history in Germany.

An investigator finds F. W. Murnau's diary, which leads him to discover the secret hidden beneath the history of Nosferatu and a mysterious cult seeking the secret of eternal life.

Daniel got lucky tonight: this time he is not going home alone again. But is that enough to pull him out of his reality?

The Male Gaze is a new series of releases from New Queer Visions that showcases short LGBTQ films from across the world. The first instalment, First Kiss, brings together five shorts that are based around men experiencing romantic and/or sexual interaction with other men for the first time. It takes in films from Sweden, Indonesia, USA, Australia and France giving a rounded look at how similar experiences are depicted across the world. The films are: Naked [Naken] (2013); Pria (2017); Walk With Me (2018), One Night Only (2018); Michel's Mouse [Tapette] (2016).

In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.

The Roses, Barbara and Oliver, live happily as a married couple. Then she starts to wonder what life would be like without Oliver, and likes what she sees. Both want to stay in the house, and so they begin a campaign to force each other to leave. In the middle of the fighting is D'Amato, the divorce lawyer. He gets to see how far both will go to get rid of the other, and boy do they go far.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

“Never Me” is a student film about Serafina, a 16-year-old girl who endures the tribulations of attempting to receive an abortion in her home state of Texas after the overturn of Roe v. Wade. The story explores the importance of friendship and family as they journey through love and loss. Serafina treks a narrow path, but in the end became closer to those who matter most and gained a newfound respect for adulthood.

A Film About Writer's Block & Procrastination

This is the story of Gato, an Italian immigrant, who lives with his wife, Marie, and his younger brother, Giuseppe, on a small truck farm in the west. Gato becomes so intent on his work that he neglects to show his wife the little attentions she demands. A foppish wandering Italian, Sandro, sees in this an opportunity to work his ends, but is prevented by the timely interference of Giuseppe.

Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.

What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.

In Alonso Ruizpalacios’ bracing and stylish film, security guards in an armoured van try to manage the stress that comes from being close to a pile of cash in Mexico City. The team’s stability is imperilled when one member nears his boiling point.

During the semester break, Gentle and Motor start a relationship, but when school starts again, Motor does not allow himself to be as close to Gentle as they were during the break. Gentle notices the distance and becomes hurt, causing damage to their newfound relationship.

The film follows three Vietnam war veterans in the post-war period, who happen to be well known Disney characters. This choice that combines with the aforementioned atmosphere creates a delectable piece of work.

An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.

Lord knows where João de Deus has been. He's come home wounded in the head. He's got a bit of the soundtrack to Johnny Guitar in his head. Strangely enough, there is no sign of the hole in his head. Day breaks over the city. Further strolls are in sight. It is said that Mr. Monteiro, the alter ego of João de Deus, occasionally goes out with Nicholas Ray. At least, they've been seen together.

Serial killer Shinju Shinagawa , called "Shinagawa Pierrot" for her clown makeup at arrest 3 years ago, remained silent during her first trial. Child consultation center worker Arata Natsume suddenly gets a request from Takuto Yamashita, the child of one of the serial killer's victims, who informs him that he's been corresponding with Shinagawa in his name in order to find out what she did with his father's missing head. Arata pretends to be an elite civil servant but finds that the Shinagawa he meets is different from the one he expected. When she realizes he isn't the sender of the letters, she goes to leave. In a panic, Arata, who never planned on getting married, blurts out "Let's get married!"

When Conrad returns to his hometown to identify his mother's body, he is forced to confront the painful memories of his childhood.