The End of the Reel

A tall and a small masked man wearing police uniforms driving the local cop car rob 600.000 Euro from a money transport in Eifel town Monreal. Incompetent state inspector Melanie Marschall focuses local police detectives Killmer and Kati Biever, neither of which has an alibi, both had the car keys, even fitting masks where found at Killmer's home. The are suspended, needing to find the -obviously well-informed- real culprits, while precinct colleague Ralf is recruited to spy on them. While Kati's irresponsible grandmother loads further suspicion on them, the cop pair finds several townsfolk and Melanie Marschall in financial need, yet no conclusive clue until a murder raises crucial questions.

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

Escaping his home-town that completely rejected him, alone, Vincent goes to Paris to be entirely Herself, but life is never that simple.

In this sequel, two juvenile detention officers must escort a group of criminally-inclined urban kids to the country where they are being forced to renovate a shelter for teens as punishment for their crimes. After one of them is shot by a local, the survivors seek refuge in the home of a voodoo woman, where they mistakenly summon legendary clown-faced demon Killjoy who begins hunting them down one by one.

Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

Story of Mary Mallon. Typhoid fever carrier

A romantic triangle played out as a sweetly psychedelic fever-dream of antiquing, omelet preparation and alpacas, Upstate offers a rich and moving meditation on the passage of time and the casual disappointments of life.

A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.

After librarian Isolde attempts suicide, she leaves her politician husband for a younger student with a dark past. Isolde's former husband, however, has something else in mind for the young man.

The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.

Once upon a time there was a country known by the name of Laura Molloy. Laura Molloy was the name of this country. Only women lived in Laura MolloyEsmeralda del Rio was a woman. One day Esmeralda del Rio had the idea to undergo a series of transformations, which were to take her very far. So far did she go that she had no way of knowing how far she had gone. Two things were certain: Esmeralda del Rio was blond and in her own way she practiced a kind of magic which I would like to call 'blond magic'.

Sur les Gratte-Ciel de New York

Moshe and Tami are a couple, Moshe is in his fifties and Tami is in her early twenties. They live together in a cruel and violent relationship, from which Tami seems unable to set herself free. Tami and Moshe are father and daughter...

Funny collage of sea, sun and ice. A show from the beach with skiers, tigers, mermaids and much more.

Four men meet up on the rooftop of an office block for an unusual suicide plan. Driven to the edge by problems and stresses, are going to jump off the roof in a protest against the miserable lives of men. They are in for a big surprise when two more unexpected "guests" with the same suicidal intent join them and share a man-to-man talk.

Courtney is tormented by dreams of the infamous Driller Killer returning to wreak havoc... only to find that the murderous monster is reincarnated as an evil rocker.

After a hard day of volleyball at the beach, a teen whose parents are away decides to have a slumber party with her girlfriends. Their boyfriends predictably show up to scare them, but a stranger from the beach is also seen lurking around the house. Soon the group begins experiencing an attrition problem.

Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.