Vampires

A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.

The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.

A group of vampires terrorizes a small village on the German North Sea Coast. The young Jonathan joins a group of fellow students and locals, who plan an uprising against the vampires.

During spring break, Koyomi Araragi encounters a blood-chillingly beautiful woman—a vampire. On the brink of death after losing her four limbs, she asks Koyomi to save her. After experiencing fear, chaos, and finally conflict, Koyomi gives his own blood in order to save her. But when he awakens, he finds himself re-born as her vampire kin.

Anti-social vampire Edith processes her life in limbo as a hired assassin, but through all her years of bloodshed, she can’t forget the one life she shouldn’t have taken.

When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward's repeated cautions, Bella can't stay away from him, a fatal move that endangers her own life.

Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob, knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.

Based on the popular books, the story tells of Tony who wants a friend to add some adventure to his life. What he gets is Rudolph, a vampire kid with a good appetite. The two end up inseparable, but their fun is cut short when all the hopes of the vampire race could be gone forever in single night. With Tony's access to the daytime world, he helps them to find what they've always wanted.

A woman is chained to a factory rooftop. A man offers to rescue her. Things are not always what they seem.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

A respected priest volunteers for an experimental procedure that may lead to a cure for a deadly virus. He gets infected and dies, but a blood transfusion of unknown origin brings him back to life. Now, he’s torn between faith and bloodlust, and has a newfound desire for the wife of a childhood friend.

In 1950s rural Idaho, a young boy watches helplessly as his friends and brother fall under the spell of a mysterious widow living up the road and becomes convinced that she is a vampire.

A supernatural thriller that follows Russel Bayne who quickly finds himself in the middle of a supernatural war between vampires, werewolves, and human hunters after being bitten by a werewolf. To make matters worse, it seems a civil war has erupted among the vampires, with a clan breaking from the others in a quest to return a vampire goddess back to power.

Meet the man behind the legend in this true story of Vlad the Impaler, whose vicious and cruel reputation as a bloodthirsty warlord became the basis for the myth of Dracula.

Jack is a solitary man with a mysterious past. His strange habits will soon become stranger when his past catches up with him.

Gyu-Jung (Choi Yoon-Young) is a 29-year-old fledgling writer. She also works part-time at her mother's side dish shop and still asks for money from her parents. Her personal life isn't in much better shape as she is seeing her best friend's boyfriend (Lee Jae-Yoon). Gyu-Jung then decides to write a novel about a vampire. This is most likely her last shot at writing a successful novel. A strange man named Nam-Gul (Park Jung-Sik) appears and rents a room at her father's lodging home. The strange man stops by the side dish shop at night and requests custom made dishes from Gyu-Jung. He specifies that all of the side dishes must not contain garlic. Gyu-Jung becomes convinced he is a vampire.

Moon Child follows a group of childhood friends as they advance in a futuristic criminal underworld. Sho feels he is doomed to walk in his idol Kei's footsteps as a vampire with the gift of eternal life and the curse of blood thirst. Over time, their tight friendship becomes corrupted because of their rivalry and love for the same woman.

Two roommates discover that the family of one of their girlfriends is populated with vampires.

A camera crew unearths a thousand year old vampire from Mesopotamia. Years after his rise from the grave, the vampire becomes a famous horror film director and holds auditions for his up and coming film. Four young hopefuls are chosen and are invited to spend the night at the vampire's house. At dinner the vampire reveals his true nature to his guests and the real reason why they are there, to kill him before dawn, as he has grown bored with his existence.

A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.