The Porter's Horrible End
A woman attorney is seen in her apartment with her poor henpecked husband, who is more like her man servant than her better half. She is so taken up with her studies in law that she finds no time to bother with household duties, thus putting the burden on her husband who is compelled to take care of the baby, clean the house, do the cooking and be on hand, ready to answer whenever the wife calls on him to attend to her wants. Things do not run very smoothly, however, which is not at all surprising, so she finally decides to take a hand in the domestic affairs herself. (Moving Picture World)
A young woman sitting on a bench in the public park is annoyed by an old man sitting next to her and paying her persistent attention. Resenting this ridiculous flirtation, the young lady rises to leave, but the old man tries to stop her, so she pushes him down and is soon seen seeking more peaceful quarters. The old flirt, disgusted, starts reading his paper, when his attention is attracted by an advertisement of some wonderful pills. (Moving Picture World)
Max and his friend, who came to visit him in Paris both fall in love with his new maid. The girl is very friendly, and while one plays the piano, she dances with the other - and they are so happy that even the decor dances at the rhythm.
Dog Rover, from Rescued by Rover fame, chases a kidnapper's car and while he is in a pub, drives it safely home and thus saves the baby.
Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.
About a young pretty bride, who cannot choose between all the grooms that circles around her...
Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?
It's Christmas, and a young woman is on her way to celebrate the holidays with her parents. A group of drunk cowboys startle her horses making her wagon, with the woman on it, speed off. By chance Broncho Billy saves her life and the grateful girl invites him over for Christmas dinner. Little does he know that the young lady is the Sheriff's daughter…
A short animation of a comedic theatrical show featuring Hawaiian musicians and dancers.
More than a dozen shots, some less than a second, of people wearing roller skates in various settings: a young man in skates sits on a low guardrail next to a city sidewalk reading, a woman with a child shoots by, a constable skates gingerly, a man skates by in suit and vest, another cleans front steps, children skate into a room where papa and siblings sit, someone slips at the base of stairs, a man in a cowboy hat moves fast, two jovial chubby women shake hands, our man in the hat trips over a wheelbarrow, then falls again as he rounds a corner, then down goes the constable. It's a crazy day on the city sidewalks.
Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.
African animals, including a lookout monkey, await with trepidation the arrival of big-game hunter Theodore Roosevelt.
"The Living Corpse" - Fedor Protasov is tormented by the thought that his wife Liza never really made a clear choice between him and Victor Karenin, a more conventional rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he falls in with Gypsies, and into a sexual relationship with a Gypsy singer Mascha. Meanwhile, his wife Liza, presuming him dead, marries the other man, Victor.
A gentleman is here shown partaking of a little lunch of bread and cheese, and occasionally is seen to glance at his morning paper through a reading glass. He suddenly notices that the cheese is a little out of the ordinary, and examines it with his glass. To his horror, he finds it to be alive with mites, and, in disgust, leaves the table. Hundreds of mites resembling crabs are seen scurrying in all directions. A wonderful picture and a subject hitherto unthought of in animated photography. Notable for being the first science film made for the general public.(IMDB)
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
In this sound-era silent film, a tramp falls in love with a beautiful blind flower seller.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.