The Writing in the Sand

A compilation of conferences/debates between renowned designers, environmental activists, and students on the concept of design. Held in Aspen, Colorado, USA.

A ten minute video exploring green careers in supply chain management produced by The Van Horne Institute featuring speakers and interviews.

The little-known story of the accelerating destruction of our forests for fuel - the policy loopholes, huge subsidies, and blatant green washing of the burgeoning biomass electric power industry.

Native Americans, ranchers, government officials, and environmental activists battle over the yearly slaughter of America's last wild bison, based on fear that migrating animals will transmit the disease brucellosis to cattle. Join a 500-mile spiritual march across Montana led by Lakota elder Rosalie Little Thunder expressing her people's cultural connection to bison, an environmental group engaging in civil disobedience and video activism, and a ranching family caught in the crossfire.

When National Geographic photographer James Balog asked, “How can one take a picture of climate change?” his attention was immediately drawn to ice. Soon he was asked to do a cover story on glaciers that became the most popular and well-read piece in the magazine during the last five years. But for Balog, that story marked the beginning of a much larger and longer-term project that would reach epic proportions.

It is the largest movement the world has ever seen, it may also be the most important - in terms of what's at stake. Yet it's not east being green. Environmentalists have been reviled as much as revered, for being killjoys and Cassandras. Every battle begins as a lost cause and even the victories have to be fought for again and again. Still, environmentalism is one of the great social innovations of the twentieth century, and one of the keys to the twenty-first. It has arisen at a key juncture in history, when humans have come to rival nature as a power determining the fate of the earth.

This documentary depicts a vivid example of America's current culture war. It shows a rural community, Philomath, Oregon, that is making a large transition from once being a dominant force through an "old time" profession, the timber industry, to one that is dominated by professionals and techies, the "information age". This is shown by the drastic decline of lumber mills in the area. In 1980, there were twelve mills around Philomath, but twenty-five years later there were only two. The largest employers are no longer the lumber mills but Oregon State University in Corvallis, which is about six miles from Philomath, and a Hewlett-Packard center involved in engineering ink-jet components.

How can we best meet every earth citizens need for healthy food facing our limited resources? Regarding the almost 10 billion humans living on earth by 2050, we have to decide now how we want to shape the future of agriculture.

Filmmaker Marshall Curry explores the inner workings of the Earth Liberation Front, a revolutionary movement devoted to crippling facilities involved in deforestation, while simultaneously offering a profile of Oregon ELF member Daniel McGowan, who was brought up on terrorism charges for his involvement with the radical group.

Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

In 1971, a group of friends sail into a nuclear test zone, and their protest captures the world's imagination. Using never before seen archive that brings their extraordinary world to life, How To Change The World is the story of the pioneers who founded Greenpeace and defined the modern green movement.

Simona Kossak - daughter of the painter Jerzy Kossak and granddaughter of Wojciech - deprived of the talent that has defined her family for generations, grows up without knowing the warmth of her despotic mother. When, after graduation, she leaves everything - home, tradition, social conventions - and takes up a job as a scientist in Białowieża, she starts life on her own terms.

The remarkable true story of three animal species rescued from the brink of extinction: California’s enchanting Channel Island Fox, China’s fabled Golden Monkey, and the wondrous migrating crabs of Christmas Island. Discover successful, heartfelt, and ingenious human efforts to rescue endangered species around the world.

Director Noah Hutton returns to the same landowners, state officials, and oil workers he captured at the beginning of the Bakken oil boom six years ago in his 2009 debut documentary feature Crude Independence. A new focus on the relationship of the indigenous peoples of North Dakota to their surging fossil wealth casts the ongoing boom in the context of paleo-cycles, climate change, and the dark ecology of the future.

An examination of our dietary choices and the food we put in our bodies.

“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.

With dazzling nature photography, Academy Award®–nominated director Markus Imhoof (The Boat Is Full) takes a global examination of endangered honeybees — spanning California, Switzerland, China and Australia — more ambitious than any previous work on the topic.

Are we becoming Plastic People? Our ground-breaking feature documentary investigates our addiction to plastic and the growing threat of microplastics on human health. Almost every bit of plastic ever made ends up ground down into "microplastics". These microscopic particles drift in the air, float in the water and sit in the soil. And now, leading scientists are finding them in our bodies: organs, blood, brain tissue and even the placentas of new mothers. What is the impact of these invisible invaders on our health? Ziya Tong, author and science journalist, makes it personal by visiting leading scientists and undergoing experiments in her home, on her food, and on her body.

This deeply human documentary examines the subject of environmental destruction, highlighting the impoverished migrant workers who are chopping down the Amazon rainforest to create charcoal for pig iron production used primarily in the automobile industry. The film examines the children and elders and their daily lives and work as they burn timber in igloo-looking huts, their bodies charred gray for $2 a day, struggling to survive.