The Gershwins' Porgy and Bess

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.

Ethan, a sullen high-school student whose life is defined by what he hates, finds love with a blindly optimistic Christian girl Trinity, much to the annoyance of his angst-filled band mates and her evangelistic brethren.

Aida

A songwriter has to come up with a full-length theatrical piece within a few days.

A loose stage adaptation of the classic by Alexandre Dumas, told as an interactive electropop musical experience, breaking the boundaries between stage and audience.

Lewis and Clark blaze a trail to the western waters in this epic satire and spoof on American ego.

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

Joel and Julia return for a holiday singalong variety special for the ages! They've been awoken from permanent sleep by Santa and they've found themselves in a cabin owned by the Christmas Witch. They find out that the Christmas Witch's clams have lost their dingle bongle (aka. Christmas Spirit) and they set out on a musical journey to help them get their dingle bongle back.

The Theater Equation is a 2016 live album and DVD/BluRay by Arjen Anthony Lucassen's progressive rock/metal rock opera project Ayreon. The Theater Equation consists of a live performance, with cast, choir and small orchestra, of the 2004 album The Human Equation. It marks the first time an Ayreon album was played live entirely, and the first Ayreon live release.

Hop on your flying carpet, because this musical parody retells the classic tale of Aladdin... from the villain's point of view! Long ago in a Magic Kingdom, one misunderstood Royal Vizier will go on a quest to save his city from its bumbling sultan, an invading prince, and the most notorious thief to ever live! With the help of the Kingdom's free-spirited, teenage Princess, the Vizier must find a magical lamp containing a wish-granting Djinn (who's really funny, by the way) and defeat the city's most-wanted criminal... Aladdin! This musical adventure celebrates and lovingly pokes fun at everyone's favorite series of hand-drawn, animated films.

To Black Dog the Pirate, It is true, there is an Underwater City of Gold. I have seen the ancient map which will lead you straight into the city. It is also the home of King Trident's sceptre which is used to turn the water into air but you, Black Dog, could use the trident to turn water into gold! I found this map in one of the many boxes in Harold's Hock Shop. The silly fool doesn't know an expensive item when he sees it. He was going to sell it to me for only ten gold pieces. Anyway, I had the map in my grasp when that rotten scallywag Galifray took it right from under my nose. Somehow the scoundrel managed to trade it for a dragon bracelet. Harold also threw in a magic genie lamp for good luck! I don't know how Galifray does it but he sure has the gift of the gab. I have managed to persuade Galifray to trade the map for the measly sum of a thousand gold pieces. We will meet you on Black Dragon Isle at the usual time. Your trusty shipmate, Sharky

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

Southern beauty Linda Lee Thomas was the driving force behind legendary songwriter Cole Porter. Though Porter was gay, their companionship and love lasted through 35 years of marriage. With innovative arrangements, Cole Porter's timeless songs weave through the narrative, celebrating their love while examining the darker sides of their glamorous lives.

First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.