The Latest Star from Vaudeville

Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.

A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.

Anna works at a bookstore. Lucas is suddenly very interested in books. A romantic comedy in which Chaplin meets the Nouvelle Vague.

A naive young man joins the Army in order to become a pilot.

L'aéroplane de Fouinard

Re-imagined version of the now lost first Finnish film. Two siblings inherit all the essentials for a good life: moonshine equipment and a pig. As they embark on their journey, business is good until a card shark arrives.

Charlie is a small town druggist trying to wait on trade and play a social game of poker in the back room.

A quarrelling couple are forced to quarantine together after the household maid becomes ill of an infectious disease.

A photo studio operator seems only interested in flirting with women. Hilarity ensues.

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

Polyteekkarifilmi (Polytekarfilmen) is a Finnish silent documentary film dating from 1924. The subtitle of the documentary is "The story of sport, polytheists and the gods of Olympia". The film aimed to raise travel funds for Finnish athletes traveling to the Paris Olympics.

Max Fleischer draws the upper and lower halves of the Clown's body, which dance around separately before coming together. Max interacts with his creation before ultimately washing the Clown off the page with water.

A girl-shy professor runs into trouble at a ladies’ seminary.