The Basilisk

The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.

A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

A distraught squatter tries to cope with his werewolf nature through drugs and music.

A new young couple struggles to keep their relationship afloat.

A young woman who lives with her uncle begins to dream about a monster that lurks in the shadows of the night.

A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.

A man dreams he is the 'demon barber' who cuts sailors' throats for jewels and uses the corpses for pies.

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

Mad scientist, doctor Ten Brinken artificially inseminates a prostitute with a dead man's semen. The resulting child grows up to be a beautiful, evil woman who turns against her creator.

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.

A doctor's research into the roots of evil turns him into a hideous depraved fiend.

A young history student goes to his uncle’s mansion to find out what caused the old man descend into madness.

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.

A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.

On the lam, criminal Alonzo hides in the circus as The Armless Wonder – a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.