In an essay and archival intervention, questions arise about the images of the 1968 national strike council.
A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.
Two quotes from Paul Valéry: "Humanity is threatened by two dangers: order and disorder." and "Nothing is more contrary to your nature than to see things as they are." A quote from the Swedish writer Thorild : "To think freely is great ! To think correctly is greater."Sentences which ring like thoughts. A bookseller, a flea market, drunken students and avant-garde musicians... The film was shot in the university town of Uppsala. "Wanting to do something "new" at any cost can lead to quite a bit of nonsense."
Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.
A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.
The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
The world’s museums are closed. What are you missing? Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
Since the 1980s, the video shop has been a desperately necessary space for film culture. In Videoheaven, Alex Ross Perry tells the story of the neighbourhood video shop to consider wider, changing social histories, using appropriated footage from the high and lowbrow.
A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.
Stream of consciousness awakened by the shots of an inauspicious summer.
The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyrs, from a philosophical perspective. The collage of personal memories, staged scenes and archives of collective memory compares the Prague Spring to the Velvet Revolution and shows the exposure, conflict, crisis, and catharsis of the post-communist society.
An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.
Um Documentário Brasileiro
A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements from the everyday which appear, evolve and freeze before your eyes. Made entirely from archive photographs and footage from the earliest days of moving image, All This Can Happen (2012) follows the footsteps of the protagonist from the short story 'The Walk' by Robert Walser. Juxtapositions, different speeds and split frame techniques convey the walker's state of mind as he encounters a world of hilarity, despair and ceaseless variety.
A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.
The cooking show is as old as television itself. But why do we like watching the making of a meal that most of us will never cook, let alone eat? Dirty Furniture’s jam-packed video essay is a rollercoaster ride through the history of the genre, at once a staple of television viewing and a hotpot of shifting perspectives and sociocultural values.
Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.
A sitting man listens to his thoughts, but can't catch any of them.