Nevermind

Adventure awaits 12 year old Brendan who must fight Vikings and a serpent god to find a crystal and complete the legendary Book of Kells. In order to finish Brother Aiden's book, Brendan must overcome his deepest fears on a secret quest that will take him beyond the abbey walls and into the enchanted forest where dangerous mythical creatures hide. Will Brendan succeed in his quest?

A ne'er do well father and ex-husband who always raced his way through the holidays is forced to relive Christmas Day time and again until he gets it right in this family oriented fantasy comedy starring Jay Mohr. It's Christmas time once again, and as usual Kevin (Moore) is scrambling to get his son Ben a last minute gift before stopping by his ex-wife Jill's house for a quick swig of eggnog. Ben can't stand Jill's impossibly perfect new boyfriend, and the prospect of spending the entire evening with his former inlaws is nearly too painful to ponder. But this Christmas things are going to be different, because this Christmas might just last forever. At first Kevin resists the curious development by simply reverting to his childish ways, though he is about to find out that sometimes in order to build a better future one must finally make amends with the past. ~ Jason Buchanan

In the tradition of classic horror movies, "Don't Look" is the story of five friends who leave NYC for a weekend they'll never forget.

In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.

Karin and Peter have been married for almost 15 years. From the outside, they seem happy, but behind the closed doors of the house there is a repression. Then the dog Orion steps into their lives ...

Among the Thorns

Little Tsatsiki, son of a single mother in Sweden, has never met his father, a Greek fisherman. Tsatsiki befriends a nice but straight-laced motorcycle policeman renting one of their rooms and decices he is the right guy for his mother, an amateur rock singer in love with her band's bass player.

Emma has a strong aversion towards her family’s new house, especially the attic. After moving in, she becomes miserable and reclusive. The rest of her family also seems unhappy and unsettled. The situation escalates one day when Emma is in the attic alone. All of a sudden someone who looks exactly like Emma attacks her viciously.

A Midwestern housewife supports her large family by entering contests for ad slogans sponsored by consumer product companies, while dealing with abuse from her alcoholic husband. Based on a true story.

Lucy Lawless stars in this short which predated her rise to fame as Xena Princess Warrior. Sal is in a relationship going nowhere with Mog, a layabout who shows her no respect. A chance encounter with an easy-going female truck driver (Lawless) encourages Sal to take more chances in her life, symbolized by the purchase of a tasty but out-of-season peach.

In the summer of 1942 two young boys are sent to stay with their stern grandmother Kurnitz and their childlike aunt Bella in Yonkers, New York.

With things growing a bit stale in the bedroom, lesbian couple Claudia and Dylan agree to seek sexual experiences outside their relationship. Dylan discovers new pleasures at a sex club, while Claudia, in drag as Claude, finds a surprising partner

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.