Ellam Chettante Ishtam Pole

Tuku is all set to get married. But being a bride is not a child’s play, for she doesn’t know how to make tea. Or to knit a sweater even. Will she be able to knit a sweater? Because if she does, she might get hitched.

Manu travels from Dubai to Kochi to attain his goal, without which he will be in trouble. Public prosecutor Mathew Tharakan and taxi driver Muhammed have their own intentions to be pursued as well. Vasudeva Sanal's God's Own Country narrates the story of what happens to the three as they try to reach their destination.

A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.

A group of Malayali nurses stranded in Iraq, must survive their capture by the extremists and reach out to the rescue team headed by the Indian government.

Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).

A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!

An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.

Aaron a young blind boy from Fort Kochi aspires to become a cricketer. In order to realize his dream, he joins the Indian Cricket team for the blind where he meets coach Gopalkrishnan. A ray of hope shines in their lives as he encourages them and instills hope in their heart.

Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.

Rameshan, who has great love for cricket, fails to become a cricketer in his life. However, he tries to fulfil his dreams through his son when he realises that the child too has a passion for it.

A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

Cover Up

Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.

Riny (Biju Menon) is the right hand man of jeweller Lolappan (Innocent). He is extremely selfish and doesn't worry about the consequences of his actions as long as it contributes to his growth. He becomes estranged even with his family, but despite this, his rise up through the ranks continue.

A taxi driver from Alleppey who always tries to keep his wife happy by taking her to very materialistic trips. She becomes more greedy and in order to keep her happy, he knowingly or unknowingly undertakes few tasks that gets him trapped.

Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.

Vijay's marriage is fixed to Pavitra, the daughter of a wealthy man. Things take a turn when Vijay accidentally meets Merin and falls in love with her.