Ella Fitzgerald visited Australia back in 1960. Gracefully stepping up to the microphone for the celebrated television event 'The BP Super Show', hosted by musician and entertainer Horrie Dargie, Fitzgerald delivered a mellifluous set of legendary songs in an intimate concert setting at The Embers Nightclub in Toorak Road, South Yarra Victoria. This rarely seen B&W television treat is considered to be one of the earliest audio-visual recordings of the 'First Lady of Song', backed by the smooth sounds of the Lou Levy Quartet. Beside Fitzgerald's performance of 14 memorable Jazz and Blues classics, the program also contains original BP musical interludes and jingles from the Horrie Dargie Quartet.
The two musical masters swing out.
Oscar Peterson is accompanied by the stellar duo of bassist Ray Brown and drummer Ed Thigpen for each concert performance. This is the classic Oscar Peterson Trio, considered by many to be the best Oscar Peterson Band ever. Oscar and the trio collaborate with trumpeters Clark Terry (Finland'65) and Roy Eldridge (Sweden'63) and re-create some of the excitement and fun of the Jazz at the Philharmonic (JATP) tours. Among the many highlights in this collection are the Oscar and vocalist-trumpeter Clark Terry collaboration on the ever-popular Mumbles ,and for the first time on commercial video, an Oscar Peterson Trio rendition of Tonight from his award-winning West Side Story album.
Sting : My Songs au château de Chambord
Rita Coolidge: On Stage at World Cafe Live
Jazz in Marciac 2000 - Biréli Lagrène et Sylvain Luc
Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
A music documentary made with Sun Ra.
Vipal Monga's first feature-length documentary chronicles an unprecedented series of concerts performed in February 2005 by the legendary jazz composer Lawrence D. Butch Morris. The concerts were in celebration of the 20th anniversary of Conduction, Butch's revolutionary technique for live music-making. Butch put on 44 performances in 28 days with 85 musicians pulled from all across New York's musical community. Along with footage from these remarkable concerts that span a full range of musical styles from big band jazz to funk to electronic and symphonic works. The documentary features some of the leading lights of the New York creative-music community, including Henry Threadgill, JD Allen, Brandon Ross, Graham Haynes, Howard Mandel, and Greg Tate. Although the film provides unique insight into New York's vibrant avant-garde music scene,
Belgian jazz is enjoying a renaissance, driven by artists mixing jazz and electronic music. Around the Volta in Brussels, groups like Echt! and Tukan are reinventing the genre and exporting this ‘Brussels Sound’. This Jam documentary explores the effervescence of Belgian jazz and its international impact.
A live recording of a jazz concert dedicated to the memory of Karel Růžička, who was the teacher of pianist and composer Tomáš Sýkora. Together with his trio and the Czech Radio Symphony Orchestra, Sýkora will perform Růžička's famous composition "Lovebird," which was originally written for a chamber ensemble and jazz quartet. Sýkora has also enriched it with a new arrangement. The concert will also feature Sýkora's five-movement suite "Hidden Songs" and the extensive suite "Grace and Gratitude," which was based on compositions by Růžička's son, saxophonist and composer K. Růžička Jr. The compositional inventiveness of both Růžičkas and T. Sýkora complements Sýkora's art of sensitive and effective orchestration perfectly in both compositions.
LIVE IN EUROPE 1969 lives up to the Miles Davis Bootleg Series mission of presenting live performances that are previously unreleased, have previously only been bootlegged, or are very rare. This new set is the first collection of Miles's Third Great Quintet, the "Lost" Band of 1968-1970 with Miles Davis, Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette at their peak (they were never recorded in the studio). The album captures the short-lived quintet in three separate concert settings, starting with two full-length (one hour-plus) sets at the Antibes Jazz Festival in France, in Stockholm as part of "The Newport Jazz Festival In Europe," and completed with a stunning 46-minute performance at the Berlin Philharmonie, filmed in color. Recorded 11/7/69 at Berliner Jazztage in the Berlin Philharmonie 1. Introduction by John O Brien-Docker 2. Directions 3. Bitches Brew 4. It s About That Time 5. I Fall In Love Too Easily 6. Sanctuary 7. The Theme
In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.
An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.
Just released from prison, Jake Blues puts his old band back together with his brother Elwood to save the Catholic home where they were raised.
The unmistakable voice of the eleven-time Anděl Award winner, first-class musicians, and songs that flow across musical genres in a concert experience from Brno's Sono Music Club... The concert, recorded on November 28, 2022, at the SONO Music Club in Brno, is the culmination of Dan Bárta & Illustratosphere's concert tour for their joint fifth studio album, Kráska a zvířený prach (Beauty and Stirred Dust). This mutually inspiring and authentically creative community of musicians included not only new songs in the program, but also a selection of some older atmospheric hits from their more than twenty-year musical career. Enjoy Bárta's refined vocal performance and a fusion of virtuosically played original compositions on the domestic scene, combining pop rock, jazz, soul, and funk with intimate poetry in the lyrics, just like hundreds of fans in one of the most acoustically perfect halls in the country.
When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
A portrait of inspirational jazz drummer and teacher Art Blakey with Dizzy Gillespie, many pupils including Wayne Shorter, the Marsalis brothers, and a surprising new generation of musicians and dancers.
Tenor saxophonist Jimmy McGary was a major presence in the Cincinnati music scene from the 1950s until his death in the early ’90s. With music rooted in Bebop with a progressive slant, the Jazz legend was a session player for King Records and released his first album as a bandleader — The First Time (with a quartet that included pianist Pat Kelly) — in 1979. McGary’s spirit and legacy have lived on well after his passing and well beyond Cincinnati, as evidenced in this new documentary film.