Addicted to Sheep

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.

It’s madness in the meadow with Shaun the Sheep™ and his flock of mischievous merrymakers! Shaun expertly stops the pigs from running amuck and turning the farm into a porky paradise. He amuses his friends when he falls head over hoof for a beautiful stranger, and demonstrates what happens when curiosity gets the sheep after a hot air balloon lands and causes mayhem in the meadow. From the farm, to outer space and everywhere in between, Shaun and his barnyard buddies know how to have a woolly good time!

A BAFTA award nominated documentary following the achievements of a young girl at the Toronto Opera School.

An exploration of the unique culture of Newfoundland's outports, the film revisits the PR coup that launched the animal rights movement onto the international stage: the 1977 Newfoundland visit, orchestrated by the International Fund for Animal Welfare, of French actress turned animal rights activist Brigitte Bardot to protest the area's ancestral sealing activities. Soon, inhabitants of the island's northern outports we're being introduced to the world as the epitome of brutality.

"This wonderful age in life where every thought strives toward an ideal, toward work, toward the future." Sahia Studios propaganda flick about how adults and their "those darn kids" attitudes affect adolescents.

A short documentary from 1975 about two women serving 25 years in a Missouri penitentiary. Made with an all-female crew.

This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.

A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.

Profile of choreographer, composer and performer Meredith Monk, recorded on location in her home base, New York City. Monk discusses some ideas underlying her work: her attraction to the eloquence of the human voice, and the direct communication made possible by the abstract qualities of music; her emphasis on the poetic rather than the political; her belief in the power of images; her willingness to take risks. She describes her experiences in working in different media, such as audio recordings, films, and videos, and the challenge of weaving them together.

This short film is an autobiographical portrait of a young Argentine lesbian growing up in a homophobic environment.

A fresh take on the outlaw spirit, focusing on a road trip by four motorcyclists who forge deep friendships over nearly 3,000 miles. Zeros in on four California women who get to know one another while traveling to and from Sturgis, South Dakota, for the world’s largest biker gathering, an annual event since 1938. The rally is a heady brew of races, partying, and exhibitionism under the Great Plains sun. The central quartet have come to Sturgis not merely to revel but to work: Among them are two journalists (Cris Sommer-Simmons, cofounder-founder of Harley Women magazine; and Jamie Elvidge, who specializes in test-riding bikes), a singer-songwriter (Gevin Fax) and a photographer (Gail DeMarco). Combines footage of the women’s trip and post-travel interviews.

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

The true story of a young teenage girl whose mother is incarcerated for murder. Living in a Catholic Children's home run by an order of nuns, she provides poignant commentary about her mother, her own situation and her outlook for the future.

Upending expectations and challenging the definition of womanhood, these “first women” found themselves at the forefront of progressive movements, organizing campaigns and leading paths to cultural change. Female historians share the names and stories of five of these pioneers: Martha Hughes Cannon, Jovita Idár, Jeannette Rankin, Mary Church Terrell and Zitkála-Šá.

This short film depicts Africville, a small black settlement that lay within the city limits of Halifax, Nova Scotia. In the 1960s, the families there were uprooted and their homes demolished in the name of urban renewal and integration. More than 20 years later, the site of the community of Africville is a stark, under-utilized park. Former residents, their descendants and some of the decision-makers speak out and, with the help of archival photographs and films, tell the story of that painful relocation.

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.

An intensely personal exploration of an explosive issue -- abortion in America. Wrenching first-person narratives from seven decades of women, each one facing an unplanned pregnancy -- and the dreadful decision that no one wants to make. Both pro-life and pro-choice, both out front on the picket line and inside the clinic, these women's stories turn politics into heart-searing drama: a pregnant 17-year-old and her pro-life mother whose conflict unfolds in front of the camera; a 22-year-old who became a pro-life protester when she learned that her mother nearly aborted her; an unhappy mother-of-two who's expecting a third when her marriage suddenly hits the rocks; a 71-year-old grandmother who still grieves for her mother, an early victim of illegal abortion. In this fusion of past and present, the history of abortion is the history of women -- told at a time in America when yesterday's back-alley abortions may be the only choice left for tomorrow.

The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.