A Gentleman's Gentleman

A young man's journey into adulthood, love, and ambition, inspired by a serial by George Randolph Chester exploring themes of love, ambition, and self-discovery, set against the backdrop of the Roaring Twenties.

Heiress Mary Anderson feigns poverty during her romance with struggling artist Bruce Haldeman, however her status-conscious mother puts an end to the affair. Mary secretly goes to Bruce's studio, misconstrues the situation with one of his models and tells Bruce she hates him. Upset Bruce wants to destroy his portrait of Mary, but the model stops him, enters the painting in an art contest, and explains the mix-up to Mary's father. Mr. Anderson then meets with Bruce and Mary's persistent suitor Smythe Addison pretending he has lost his fortune. Smythe quickly drops out of contention for Mary's hand, but Bruce remains eager. Resolving their differences Bruce finds out during the planning of the wedding that he has won the art contest, finding overnight fame as a painter.

Rich young Joan Hope is ashamed of how her father made his money--as a chewing gum magnate. While taking a train trip, she meets the Countess of Crex, a member of the Russian nobility--who is, in reality, a jewel thief.

Two pals enlist in the army during World War I. Just before they complete training camp and are to be sent overseas, they're scheduled to marry their girlfriends. However, they get in trouble and wind up in the guardhouse. Their girlfriends are determined to get married, however, and in order to accomplish this, they disguise themselves as soldiers and sneak onto the base, where they unwittingly get mixed up with enemy spies trying to gather information.

Little Sonny Brown returns to his wretched poverty-stricken home one day to find that his father has expired in his cups. Sonny trudges forth and falls by the wayside. Mr. and Mrs. Chatterton drive by in their auto with their little daughter Clara. They carry him home then place the boy in Clara's beautiful room, still fast asleep. The imaginative little fellow, who has never known the love and kindness for which he craves, dreams a most beautiful dream, in which he goes to the Court of Prince Make Believe.

Betty Brown is an egregious coquette and flirt. She fools a pair of lovers, and her indecision lands her in a pretty mess at a Hartford hotel, where she is cajoled into passing herself off as the wife of a man whose real wife is on her way to meet him. Betty just butts into a sea of trouble, for the man and his wife are to receive some money from the former's uncle on condition that the wife meets with his approval. The general mix-up at the hotel caused by the meeting there of all these opposing interests is the cause of a great deal of fun and confusion, the central figure of which is always Little Miss Betty Brown.

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.

A young woman borrows money from her boss for her wedding dress. After the marriage he asks to be repaid, and she--not liking to ask her husband for money--writes a check on her husband's account. When he discovers that his wife has written a check to another man and not told him, complications ensue.

A man traveling home for Christmas gets stuck in a small town and finds romance with a woman operating the telegraph.

Perpetua is a rich little orphan with a kind but absent-minded dreamer of a guardian, Thaddeus, who is very much older than herself. Perpetua wants to live in Thaddeus's house but instead is sent to her eccentric animal loving Aunt's, Miss Majerdie. Unhappy Perpetua runs away to Thaddeus’s. He endures her for a time and finally ships her back to his Aunt Majerdie's. Pursued by several suitors whose ardor cools when the rumor goes round that she is penniless. Her wealth having intimidated him before Thaddeus steps in now and declares his love for her.

During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame.

As early as 1919, Russian Communists (then known as Bolsheviks) were convenient movie villains. This heavy-handed comedy uses the Russian revolution as an excuse for a series of slapstick set pieces.

The story tells of the adventures of an unusual young duke, whose father, the old Grand Duke of Kiev, coveted the wife of Count Dardinilis, his colonel of Huzzars; of the old Grand Duke's plot to get her for himself; of her accidental death at the hands of his Cossacks, and of the colonel's escape with his little daughter to America. The young Grand Duke, now an orphan, comes to America to complete his education.

Irene Martin, hoping to find fame as an opera singer, leaves her hometown for New York but ends up a chorus girl. She meets Henry Galt, a wealthy businessman, who asks her out on a date then sends her money the next day. Offended, she demands an apology, but Galt explains he often hires showgirls to entertain prospective clients on a strictly platonic basis. On those terms Irene accepts. Over time Galt falls in love with Irene and when he discovers her family has the impression she has become a fallen woman, marries her.

William Jones, raised by his uncle Frank in the city, was rounder, while his twin brother, Alberforce, raised in the country by his grandmother and two aunts, was the opposite. The grandmother had chosen Mattie, a neighbor's little daughter, to be Alberforce's wife, so that she could always keep an eye on him.

Drama in the Futurists' Cabaret No. 13

Hoping to elope, farmer's daughter Myrtle Fairley and her beau Jack Holt are forced to return home after finding the minister not at home. Upon arrival they discover a pair of incompetent safe crackers trying to force Mr. Fairley to give up his money, leading to a tense resolution.

Adolph is a great pianist who prefers the simple pleasures such as frankfurters and sauerkraut but is so constantly pursued by society women that he gets no peace and comfort. After being chased everywhere in the end he escapes by donning a disguise and finally finding peace and quiet.

Women They Talk About is a part-talkie Vitaphone film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and produced and distributed by Warner Bros. It is considered to be a lost film.

Priscilla’s husband Lee makes her life unhappy because of his unfounded jealousy. She warns her old college buddy Eddie not to pay any attention to her at the dance which they are to attend. Eddie loves the wealthy Estelle but is always getting mixed up in some scandal. Estelle finally declares that one more escapade on his part will finish everything. When Priscilla and Eddie greet each other at the dance as old friends, the other two become jealous. Estelle and Lee determine to make their partners jealous but make a mess of it until all is straightened out in the end.