The Condor

October 1982: War is waged between Britain and Argentina over the Falkland Islands. A British soldier stumbles upon an Argentinean soldier. They share a few minutes of uneasy respite before national hostilities re-emerge.

Sometimes, the gas man needs to read the meter. Sometimes, he has other things in mind.

Microsoft Founder Bill Gates has implanted computer chips into asteroids in a diabolical scheme, and one hacker must stop him.

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The taboo that nudity represents is a big burden for Raúl, who must get rid of the vision that has taunted him in order to achieve his goal: to be nude.

Several years after surviving a car accident that killed her son, former Los Angeles defense attorney Claire Bennett is left physically and emotionally disabled — and heavily scarred — as she struggles to cope with chronic pain. Claire is hostile to most people but manipulative and sweet to her pain management doctor who prescribes her the pain medication she needs to survive. Claire's husband, Jason, has finally left her, but she's assisted by her devoted housekeeper, Silvana, who has become both caretaker and chauffeur and who selflessly looks after all of Claire's needs. Because of the accident, Claire refuses to sit up in the car, and lies down while being driven everywhere.

A Jew who mocked Jesus on the cross is visited by a devil and an angel.

A businessman lives out his daily routine until he meets unexpected stress in the form of his apartment building's elevator.

A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative space, discharged from all semantic burden. What remains is a self-sufficient swarm of splinters, fleeting vectors of lost direction, furrowed with the traces of the manual process of production.

The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos.

Three hunters surprise two poachers in the act. The hunters take umbrage and give chase over fences and through fields. The hunters fire away, but the poachers have guns as well, and a fight ensues with casualties for the hunters. Two cops appear and so do dogs as the chase continues. Will the poachers escape, or will they, like the game they were after, be trapped?

The titles tell us this film is based on an incident in the Boxer Rebellion. A man tries to defend a woman and a large house against Chinese attackers. They attack with swords, guns, and paddles. He's over-matched. What will become of the mission, its defenders, and its occupants?

A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?

A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten.

Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.

This short, otherwise unremarkable feature is of some interest because of the way that it unabashedly caters to the tastes that it perceived in its audiences. Besides combining the elements of the risqué 'blue' movies of the era with the popularity of movies about fires, it also attempted to use the combination to get extra mileage out of it. The movie's title summarises the setup, and most of the footage shows firefighters using ladders to rescue stage girls, clad in portions of their costumes, from an upper level. Although it all seems pretty tame by today's standards, it no doubt provided its male viewers with some brief moments of excitement as the various women hurried down the ladders with their costumes in disarray. (IMDb)

The Black Death is ravaging Spain. As Camille Saint-Saëns's "Danse Macabre" plays on the soundtrack, a mix of animation and acted scenes tells the story of Youth and Love meeting one night. They dance, embrace, and kiss. As the night wears on, exuberant Death, a skeletal figure with a violin, pursues the couple. They try to elude him. Eventually, Love swoons. Youth is powerless to protect her. Is she doomed?

A wealthy society playboy falls in love with the daughter of a poor fisherman. After Valentino shot to fame, A Society Sensation was cut down to a meek 24 minutes so the lead would be in every scene. Title cards tried to make up for the lost scenes.

A small army outpost on an offshore island of the Aegean. Its mission – area surveillance and the collecting of information on the enemy.

For Paul every day are equal. At night, he meets secretly with his girlfriend Clara .