The Texas Streak

A Clarence G. Badger silent cowboy western kidnapping mistaken identity romantic comedy, based on a story by Rex Taylor; about a rich woman who gets lost in the West, and is found by an engineer who she mistakes for an outlaw. tHe plays along because he enjoys it, but then four real outlaws show up, and he tells them he was kidnapping her. They get found out, the girl gets one of the outlaws' guns and rescues them, and of course, they discover they love each other!

Alfred E.Green silent family relationship romantic melodrama

Silent boxing sports comedy about a boxer whose grandmother wants him to be a ballet dancer, so he has the boxers at his training camp pose as ballet dancers to fool granny, with predictable results

An organ-grinder is playing beneath the window of a cranky old woman. She objects strenuously. The organ-grinder, egged on by Hooligan, keeps on playing until a policeman appears.

A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.

A fight breaks out over a poster.

Olli, the spoiled young heir of the Koivumäki manor, is separated from his family and brought to Sweden by his cousin. After running away to Finland, he ends up in an educational institution, from where he escapes with the help of his friend Ränni Pelle and returns to his parents.

Silent military propaganda film by Erkki Karu, later followed by the musical revue film Meidän poikamme merellä ("Our Boys at Sea", 1933) and Meidän poikamme ilmassa – me maassa ("Our Boys in the Air – and We on Land", 1934), both of them also directed by Karu. The film comes with a orchestral accompaniment arranged by Raine Ampuja in 2005, based on the original score by Lauri Näre and Emil Kauppi, which in turn was based on traditional Finnish military tunes.

More than a dozen shots, some less than a second, of people wearing roller skates in various settings: a young man in skates sits on a low guardrail next to a city sidewalk reading, a woman with a child shoots by, a constable skates gingerly, a man skates by in suit and vest, another cleans front steps, children skate into a room where papa and siblings sit, someone slips at the base of stairs, a man in a cowboy hat moves fast, two jovial chubby women shake hands, our man in the hat trips over a wheelbarrow, then falls again as he rounds a corner, then down goes the constable. It's a crazy day on the city sidewalks.

Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.

African animals, including a lookout monkey, await with trepidation the arrival of big-game hunter Theodore Roosevelt.

A cowboy gets involved in the kidnapping and rescue of a pretty young girl.

It's Christmas, and a young woman is on her way to celebrate the holidays with her parents. A group of drunk cowboys startle her horses making her wagon, with the woman on it, speed off. By chance Broncho Billy saves her life and the grateful girl invites him over for Christmas dinner. Little does he know that the young lady is the Sheriff's daughter…

"The Living Corpse" - Fedor Protasov is tormented by the thought that his wife Liza never really made a clear choice between him and Victor Karenin, a more conventional rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he falls in with Gypsies, and into a sexual relationship with a Gypsy singer Mascha. Meanwhile, his wife Liza, presuming him dead, marries the other man, Victor.

A gentleman is here shown partaking of a little lunch of bread and cheese, and occasionally is seen to glance at his morning paper through a reading glass. He suddenly notices that the cheese is a little out of the ordinary, and examines it with his glass. To his horror, he finds it to be alive with mites, and, in disgust, leaves the table. Hundreds of mites resembling crabs are seen scurrying in all directions. A wonderful picture and a subject hitherto unthought of in animated photography. Notable for being the first science film made for the general public.(IMDB)

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.