Satan
A day in the life from dog’s point of view.
A southern girl tries her luck as a dancer in New York City.
A two-reel adaptation of Dante Alighieri's Inferno from the Divine Comedy by Helios Film. It is less well-known than the five-reel feature produced the same year by Milano Films, but it was released earlier in 1911.
This 1919 silent is the first American film based on the same Sholem Aleichem stories as Fiddler on the Roof, but produced 50 years before the blockbuster musical. Unlike most adaptations of Aleichem’s work, Broken Barriers (Khavah) focuses not on Tevye the milkman, but on his daughter Khavah, who falls in love with the gentile boy Fedka and must navigate the reverberations from this with both her community and her family.
A photo studio operator seems only interested in flirting with women. Hilarity ensues.
Japanese silent film.
An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.
A Woman's Business
A petty thief who robs the very rich at speakeasies, and gets away with it because the rich don't want the bad publicity, is finally caught and sent to Sing Sing. After good behavior, he gets an emergency permission for a return home, so that he may save his daughter from the hands of her disreputable mother. However, he must first promise not to kill his wife while he is out of prison.
In this story the young wife concerned is called upon to solve a rather momentous question. After separating from her husband, whom she has discovered to be a brute and a criminal, she is about to give herself to another man, believing her husband dead, when he appears before her fleeing from justice. Shall she deliver him to the law or surrender to his claims? She yields in one instance, but not in the other. Then justice intervenes.
Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
The question is, would the young tramp really have fallen in love with the groceryman's daughter if he had not caught her in the heart struggle? Be that as it may, she could not find it in her to drown the unwelcome visitor to the pantry, so she let it go and the silent little drama witnessed by the tramp greatly impressed him. Not so the strict aunt, she declared the whole thing to be in exact accordance with everything else in the family. Their hearts ran away with their heads. That was why they lost money on credit, could not pay off the mortgage and send the sick sister to a better climate. As for the tramp, they had no business to take him in. He could not pay for his keep. But the tramp surprised them all.
William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.
Compilation of comedy sketches from the comedy kings Buster Keaton, Charlie Chaplin, Danny Kaye & Bing Crosby.
Two brothers compete for the love of a woman while the impending war threatens to separate them from both sides of the border. Based on the novel "La Débâcle" by Émile Zola.
John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
A Japanese merchant attempts to drive one of his rivals mad by impersonating a man he had once murdered.