It's Hard Killing Someone Even on a Monday

A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.

Raimunda, a working-class woman living in Madrid, is dealing with the aftermath of a fire that killed her parents in her native village in La Mancha. Raimunda's life is further complicated when her deceased mother, Irene, returns as a ghost to resolve unfinished family business, including a murder and other buried truths.

Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.

In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.

Benny Rubin promotes a wrestling show but ends up wrestling Constantine "Strangler" Romanoff himself.

Johanie, the single mother of a dysfunctional family, takes a dim view of the arrival of Ian and his dog in the neighborhood. Like a trench dividing the two camps, the back alley becomes the witness of a rivalry where prejudice, fascination and frustration mingle slyly with the sound of barking.

Marcel the shell gives an outline of his life.

The final episode, released after the fall of the Soviet Union, features the Cossacks as the parents of an entire children’s hockey team. While hosting the Canadian hockey team, they have to thwart their former pirate enemies once again.

A gentleman deals with the consequences of a car accident, which has left him with a spinal injury that means he has a permanent smile on his face.

When a college student brings home her older boyfriend to meet the family, he quickly becomes radicalized by her Zapruder-loving family.

Leo's dreams of being an international drag superstar are hard fought working in a fish cannery in Alaska.

Private eye Philip Marlowe and his bride move to a desert town, where he uncovers a land scheme.

A gang of criminal teens take shelter from the police in a house inhabited by a nun and her niece.

The Third Rule

Joe McDoakes thinks he's allergic.

Lolo is an openly gay 11-year-old boy trying to finally convince Max, his first love, to go public with their relationship at the school party. Max also wants a relationship but Lolo might not be the one. Lolo’s best friends, Elena and Toby, help him to overcome this situation and give him the support that he needs.

Solstice d'un cœur brisé