Der Komödienstadel - Der weibscheue Hof

Julian Cazorla, a political leftist, is caught by his wife and her mother in adultery. The mother, determined to apply the law of retaliation ("eye for an eye and horn by horn") assures his son that his wife will deceive him with his best friend. Meanwhile, Agapito Berlinches, a right-wing politician, surprises the president of his party with a young girl in his office; Agapito mounted such a mess trying to explain the event that the press has just published that he is gay and was caught with a transvestite. when Cazorla read the press decides to introduce Berlinches as his best friend.

In his small pub in the northern English town of Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry's reaction to the news, his old assistant Syd and the peculiar Mooney lurk with very different motives for their visit.

Three married couples undergoing therapy are summoned by their female psychologist to a meeting. The psychologist won’t be attending the reunion herself, but she will give to them instructions about what they must do. Thus, to the sound of a horn (literally), the six protagonists will gradually air their dirty laundry concerning their relationships and bring up issues like taking care of the kids, the different home tasks, money, jealousy and sex, until it all leads to a most unexpected and equally shocking end.

New recording of the most succesful play of Prague's National Theater starring Miroslav Donutil. Goldoni's comedy "Servant of Two Masters" is typical example of classical "commedie dell'arte". Beatrice arrives in Venice dressed as her brother who was killed by her lover Florindo. Florindo also escapes from Tourine. Beatrice hires Truffaldino, a servant who also lets himself be hired by another master to get twice as much money and food. The second master is indeed Florindo, who coincidentally accomodates in the same hostel as Beatrice...

Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .

The original musical adaption of the Roman Polanski classic "The Fearless Vampire Killers". One of Europe's biggest musical hits.

The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.

The second theatrical play adaptation of the popular manga series “Patalliro!”.

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

Svend, Knud og Valdemar

A war between two families, who live in the same building.

The first theatrical play adaptation of the popular manga series “Patalliro!”.

Julian Marsh is an out of work ladies' man who lands a job directing a bizarre adaptation of Hamlet. After casting his best friend and his ex-girlfriend in the show, Julian finds himself in the middle of a two thousand year old conspiracy that explains the connection between Shakespeare, the Holy Grail and some seriously sexy vampires. It turns out that the play was actually written by a master vampire name Theo Horace and it's up to Julian to recover the Grail in order to reverse the vampire's curse...If only being undead wasn't so much God-damned fun!

The first wedding night is a comical, witty play about a forty-year-old Montenegrin man from Durmitor, who absolutely does not want to get married. With the help of various vicissitudes and pressures, the family manages to marry him. Now it was time for the first wedding night in a crowded house.

The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel. Centres particularly on the conflict and growing friendship between Terry Randall, a rich girl confident in her talent and ability to make it to the top on the stage, and Jean Maitland, a world weary and cynical trouper who has taken the hard knocks of the ruthless and over-populated world of the Broadway apprentice.

A comedy by well-known Albanian theater. A comedy known and loved by all, under the interpretation of the most famous actors of the Albanian National Theatre. A comedy that provides only laughter. Albanian: Nje komedi nga Teatri Popullor Shqiptar. Komedia me e njohur dhe me e dashur për të gjithë, nën interpretimin e aktoreve më të njohur të Teatrit Kombëtar. Nje komedi qe siguron vetem te qeshura.

Berliner Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

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