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The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...

Helmed by three female directors, this omnibus features three films set in China, Thailand and Singapore respectively. Each story occurs at a specific mealtime, and seeks to interpret the frailties and complexities of love through different Asian perspectives. All three stories are tethered with the question, "Will you marry me?" Mirroring the repasts themselves, Breakfast and Dinner are heavier in tone, while Lunch is light with a sprinkle of humor.

Soon after a country singer moves in with her band's new manager, he's found slain and she's a suspect.

A modern version of Shakespeare's 'Macbeth'.

The loss of youth, social and professional activity intensifies the sense of loneliness, the obsessions and the "dead end" in the life of an elderly couple.

A wife and mother, diagnosed with breast cancer, decides to truly live her life, which has become comfortable and predictable, and the family must adjust.

A 12-year old Anita falls in love with the new woman in town; years later, a girlhood crush blossoms during the Fiesta of Santa Clara in Obando, Bulacan.

Fictionalized portrait of one of history's great literary couples: Stein & Toklas. Summer 1930s France, Alice tends to ailing Gertrude; they visit Fernande Olivier, Guillaume Apollinaire, others; and Hemingway pops in.

Love Building is a comedy about a camp designed to mend broken relationships. 14 couples try to break the deadlock and rebuild their love, with the help of three psychotherapists and trainers. The program lasts for 7 days and the participants go through different stages of redesigning their love lives. But the three trainers meant to assist them have problems of their own and things gradually get out of hand. In an ongoing search for the "happily ever after”, one question pops up: "Can love be fixed in seven days?”

10 filmmakers provide 10 separate stories focusing on the 18 days of the 2011 Egyptian revolution. Ten stories they have experienced, heard, or imagined.

Two teenage girls make a pledge to each other to be as "man and wife" in a small Chinese fishing town. The notions of women's rights or sexual freedom are absent in their oppressive patriarchal culture, and when one becomes happily married to a stranger, the other is cruelly betrothed to the abusive son of a wealthy family. Seeking to free herself from a lifetime of abuse, Hui-hua desperately looks for a way out.

The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation between drama and lightness, until a violent event marks their meeting of a strange complicity.

Sam lives in a place where everything is polished and secrets are cleaned up and kept. So when Georgina goes missing, everyone acts like nothing happened. But Sam can't stop thinking about her, the enigma who lived next door, swimming daily in her pool. As Sam drifts back into his memories of Georgina, he comes to realise he may know more than he wants to remember.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

A young man with Tourette's Syndrome embarks on a road trip with his recently-deceased mother's ashes.

Suspension from school, the loss of a friend, a broken heart and lack of inspiration lead to Maude's downfall in this romp through teenage error. Your teenage years are never easy… but for Maude, things couldn't be worse. Within one week, she is suspended from school, stranded by her best friend, dumped by the boy she loved and inherits an enormous amount of money with the passing of her grandmother– only to be claimed under one condition: Maude must prove by age 18 that she knows exactly what to do with her life. But with her 18th birthday rapidly approaching, Maude must dive into a world of self-discovery or else lose the inheritance.

A track coach in a small California town transforms a team of athletes into championship contenders.

Joanna - a university student - leaves her course to become a nun.

A hypocritical and selfish older sister holds power over her younger, unselfish and humanitarian sister by hiding the shame of her younger sister's pregnancy, with the purpose of upholding the aristocratic status of their name and household. Or that is what we are told, because underneath the facade, is a story of two sisters, who have had intimacy with the same man.

Umbra is a scientist who wants to prove his theory that human beings are ruled by chance and devoid of any purpose, and as a consequence some become evil and cruel.