When George Carlin is asked which HBO concert is his favorite, his answer is always, "Jammin’ In New York." The show, taped at the Paramount Theater in Madison Square Garden and winner of the 1992 CableACE Award, is a perfect blend of biting social commentary and more gently-observed observational pieces.
Alex Trebek hosts a documentary about television game shows featuring interviews with a number of game show hosts and producers.
Steve Martin's fourth NBC special was in the spirit of his previous association with Saturday Night Live. It was broadcast live from Studio 8H, produced by Lorne Michaels and featured some original cast members of the show.
Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.
George Carlin is in top form with these stand-up recorded at the Beverly Theater in Los Angeles in 1986. Routines included are "Losing Things," "Charities," "Sports," "Hello and Goodbye," "Battered Plants," "Earrings," and "A Moment of Silence." Also included is a short film entitled "The Envelope" co-starring Vic Tayback.
Recorded at Carnegie Hall, New York City in 1982, released in 1983. Most of the material comes from his A Place for My Stuff, the album released earlier that same year. The final performance of "Seven Dirty Words," his last recorded performance of the routine, features Carlin's updated list.
George Carlin changes his act by bringing politics into the act, but also talks about the People he can do without, Keeping People Alert, and Cars and Driving part 2.
It's Charlie Sheen's turn to step in to the celebrity hot seat for the latest installment of The Comedy Central Roast.
In the frigid valleys of Japan's Shiga Highlands, a troop of snow monkeys make their way and raise their families in a complex society of rank and privilege where each knows their place. Their leader is still new to the job and something of a solitary grouch. But one little monkey, innocently unaware of his own lowly social rank, reaches out to this lonely leader, forming a bond with him that manages over time to warm his less than sunny disposition. It is a rare and remarkable gesture that alters both their lives. Changing seasons bring new babies to care for, a profusion of insects and blossoms to eat, family disagreements to squabble over and tragedies to overcome. Mating season brings competition for females, as the days grow shorter and colder in a rush toward winter. But with their now confident leader to guide them and their families to shelter and care for them, this troop of snow monkeys is ready to face the world.
A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.
Made-for-TV special of popular comic strip.
TCB is a 1968 television special produced by Motown Productions and George Schlatter–Ed Friendly Productions of Laugh-In fame. The special is a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing a combination of showtunes, specially prepared numbers, and popular Motown hits, the special was taped before a live studio audience in September 1968 and originally broadcast December 9, 1968 on NBC, sponsored by the Timex watch corporation. The title of the program uses a then-popular acronym, "TCB", which stands for "Taking Care of Business".
G.I.T. on Broadway was a 1969 television special produced by Motown Productions and George Schlatter-Ed Friendly Productions. The special, a follow-up to 1968's successful TCB program, was a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing primarily Broadway showtunes, the special was taped before a live studio audience in mid-1969 and originally broadcast November 12, 1969 on NBC. Like TCB, the title of the program was derived from an acronym, this one standing for "Gettin' It Together". A soundtrack album for the special, titled On Broadway, was issued the same month the program aired. Though there were no singles released from this album in the states, "The Rhythm of Life" did become a Top 20 hit for the ensemble in Australia. Two months after its release, Diana Ross left The Supremes to start a solo career.
Comedian Paul Hogan opens the door into his private and public life. It’s been 40 years since he first stepped into the comedy limelight, and now at 73, he is ready to share - warts-and-all – his story with fellow comedian Shane Jacobson (Kenny, The Time of our Lives). This relaxed, candid and hilarious program charts his journey from raising a family in a housing commission home, to the highs of Crocodile Dundee, the Golden Globe Awards and performing stand-up at the Oscars. It also delves into the lows of Hogan’s battle with the Australian Tax Office. And right now Paul Hogan is once again set to do what he does best - entertain.
This material was developed and prepared over the last year or so, mostly in comedy clubs. This special kind of goes back to when he used to just make noises and be funny for no particular reason. It felt right to him to shoot this special in a club to give it that live immediate intimate feeling. The show is about an hour long. The opening act, who is seen at the beginning (good place for an opening act) is Jay London. One of his favorite club comics going way back to the late 80s when he first started in working in New York.
Adam Sandler takes his comical musical musings back out on the road, from comedy clubs to concert halls to one very unsuspecting subway station.
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.
It's Roseanne Barr's turn to step in to the celebrity hot seat for the latest installment of The Comedy Central Roast.
This program features then-newcomer Sandy Duncan in her first network television special. Only a few years after being passed over by Gene Kelly for a role in Hello Dolly, Duncan's star had ascended so far so fast that he was now her special guest star. Paul Lynde is also featured in a campy version of "Bad, Bad Leroy Brown".
Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.