Double

On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A doctor must remove a parasite infestation from within a patient's breast.

Wayne gets a new rookie partner, Lanny, after his previous partner got the promotion he wanted. Lanny has to remind Wayne of the Spirit of Christmas and the importance of being an elf in Santa's Prep and Landing elite unit.

A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.

Jackie is a boy who is so trapped by his fears and doubts that he could not communicate with anyone. Then, a magic dragon named Puff comes to help Jackie by taking his soul force on a wonderous voyage to his island of Honah Lee. Along the way, they have adventures that nurture Jackie's imagination and courage in unorthodox ways.

An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.

A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.

Dealing with life's troubles is never easy. Many people find comfort in the soothing words of their trusted therapist. Mr. Talbot does not. His therapist, has a tough love approach. Not convinced of Talbot's assertion that he's a werewolf, she invites him to her office the evening of the full moon. Talbot insists that he's really dangerous. As the doctor insists Talbot's delusional, suddenly he begins to change. Prepared, Dr. Steiner has no trouble curing her patient. For good.

Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.

On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

A distraught squatter tries to cope with his werewolf nature through drugs and music.

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself. This film is lost.

It's a bird, it's a plane, it's-- Super Christian? Clark Kant is a mild-mannered Christian teenager with a super secret. Through light-hearted humor, the Super Christian series sets out to teach us something about Christian growth. In the first installment of Super Christian, we find that Clark Kant lives in two different worlds. During the week, Clark follows the standards of the world. "Why not?" he asks himself. "Isn't everybody doing it?" But on Sunday, in his Super Christian Best, Clark presents quite a different image. Then Clark learns through a friend that the Christian faith is for every day of the week, not just for Sundays.

In the aftermath of a deadly haunting in a small suburban home, a sinister omnipresent entity proceeds to cause havoc in the private lives of a young boy, an unsuspecting teen, and an absent-minded inspector.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

The Goddess Venus is jealous of the beautiful human girl Psyche and blames her pet unicorn, Unico, as Psyche's source of good luck that keeps her from the harm of the goddess' cruel intentions. Unico has the amazing power to make anyone he meets happy. Whether it's because of his personality or the powers of his horn, no one knows. Venus has Unico banished, and the West Wind now takes Unico from one place and time to the next. Taken to a heavily polluted city, Unico meets a sickly girl named Chiko who is suffering because of the pollution of a nearby factory that darkens the entire sky. Unico then is determined to cheer her up, cure her, and destroy the nearby factory.

An animated short based on Hans Christian Andersen's tale about a poor young girl with a burning desire to find comfort and happiness in her life. Desperate to keep warm, the girl lights the matches she sells, and envisions a very different life for herself in the fiery flames filled with images of loving relatives, bountiful food, and a place to call home.