A doctor must remove a parasite infestation from within a patient's breast.
Simon is a little boy that has to deal with his babysitter, Sonia, a total nuisance. But that same night Simon will receive and unexpected visitor, Timothy, the main character of Simon's favourite show, a visit he will never forget.
This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". ADX Florence, Colorado, USA, is the most secure prison facility in the United States. During the early stages of the Krippin Virus Pandemic, John Edward Lord, an imprisoned terrorist is deliberately left behind at the prison to die, with no information on the outbreak.
This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In the early stages of the KV Pandemic, a refugee camp has been opened somewhere in central America, and is taking in patients infected with Krippin Virus for treatment. As a young boy and girl watch from the outskirts of the camp, a military convoy arrives.
This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In New Delhi, India, during the Krippin Virus Pandemic, Vatsala and her family are preparing to evacuate to a shelter. That night, Vatsala sneaks out of her home and into the chaotic streets of the city to find her boyfriend, Pritam.
Deep water freediving exposes its practitioners to a form of narcosis, which induces several symptoms, among which a feeling of euphoria and levity that earned this phenomenon its nickname of "raptures of the deep". The short film relates the interior journey of Guillaume Néry, the apnea world champion, during one of his deep water dives. It draws its inspiration from his physical experience and the narrative of his hallucinations.
A knight returns home from the Crusades to find his village devastated by disease and his family gone. He roams the forest searching for them, until he finds a mysterious maiden who is being held prisoner by a black knight. In order to free her, he must confront her captor.
It's Christmas time, and a grandmother spends a quiet afternoon tending to the family chores. But the arrival of an unexpected visitor brings with her some deadly consequences.
A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.
A young man's struggle with his sexuality overtakes his life, driving him deep into his subconscious where guilt and fears of physicality chase him still further. Cornered by an intangible terror, he realises he must either break out or break down.
A green-skinned demon places a woman and two courtiers into a flaming cauldron.
A dissatisfied dreamer awakes, goes out in the night seeking a 'light' and is drawn through the needle's eye. A dream of a dream, he returns to bed less empty than before.
The Living Playing Cards
Once a year, estranged brothers Michael and Peter make a reluctant pilgrimage to the old fairground yard where their friend Sam went missing when they were boys. Both men's' lives are colored by what happened the day their friend was sucked inside the Ghost Train, never to return. This year, Michael has something to tell Peter that will cast fresh light on the incident, something that will change their lives even more than that fateful day 30 years ago...
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Darkmoor Manor is England's most haunted house, its doors closed to the public. It is now just part of a tour which helps attracts visitors to a struggling town. That is until the tour guide, trying to impress two attractive American visitors promises to get them inside. But none of them could be prepared for what was waiting within the shadows of the house.
Franz Kafka is working on his Metamorphosis, but he's suffering from writer's block; he can't get off on the right track. While trying to decide what Gregor Samsa is going to wake up as, he is constantly interrupted by door-to-door salesmen, young women, and his own inexplicable hallucinations.
A man rents an apartment and furnishes it in remarkable fashion.
A wizard sleeps at a table in his well-appointed sitting room. From a drawer in the table, a snake appears.
A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.