Mountains of the Wolf

The history of Bruguera, the most important comic publisher in Spain between the 1940s and the 1980s. How the characters created by great writers and pencilers became Spanish archetypes and how their strips persist nowadays as a portrait of Spain and its people. The daily life of the creators and the founding family, the Brugueras. The world in which hundreds of vivid colorful paper beings lived and still live, in the memory of millions, in the smile of everyone.

The cartoon based on the works of Alexander Pushkin was created on the basis of drawings from the exhibition "Pushkin through the eyes of children".

Astrophysicist Jean Surdej brings a small group of teenage pupils on a trip to the Lofoten islands in northern Norway, for a very special class on the solar system. Using the geography of the archipelago to illustrate the distances between the planets, they journey through space by car and ferry, with the picturesque landscapes standing in for the black emptiness that surround the heavenly bodies. A masterstroke of both pedagogy and filmmaking, Children of Stars is a captivating documentary about humanity's place in the grand scheme of things.

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

Shot on the Great Barrier Reef in Australia and in the Bahamas, Ocean Wonderland brings to you the amazing beauty of the many varieties of coral and the immense diversity of the marine life thriving there.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1947.

Evocation of the Oradour-sur-Glane Massacre on 10 June 1944, when 642 of its inhabitants were slaughtered by a Nazi Waffen SS company, based on a visit to Diors' Museum of the Three Wars" and archive photographs.

Beneath the soft glow of a theater stage, a conversation unfolds — an unraveling of stories tethered to history, shaped by places, and refracted through memory. Words echo silence as the stage becomes a mirror, reflecting what is seen, what is unseen, and what is felt. A contemplation of the liminal.

Finding their place between the forest and the sea, the Japanese have always felt awe and gratitude toward Nature. Since ancient times, they have negotiated their own unique relationship with their natural surroundings. Acclaimed photographer Masa-aki Miyazawa discovered the essence of that ancient way of living in Ise Jingu, Japan’s holiest Shinto shrine. Inspired by the idea of sending a message to the future in the same way this ancient shrine keeps alive the traditions of the past, Miyazawa used an ultra-high resolution 4K camera to create a breathtaking visual journey linking the Ise forest with other forests throughout Japan.

An undercover investigation of Martin Creek Kennel is carried out by the animal rights group Last Chance for Animals. The film documents the efforts of a young animal rights activist named "Pete" to both get hired by the Martin Creek Kennel and secure enough evidence to shut down owner C.C. Baird's violation-filled kennel.

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

A portrait of a traveling circus.

Women find empowerment behind the red nose and makeup, revealing the playful and subversive spirit of female clowning. Through poetic and intimate performances, the clowns share stories that go beyond laughter, exploring their role as manipulators of energy and expression.

The documentary Sin Telón celebrates the national artistic values of Teatro La Candelaria, recognized both nationally and internationally as one of the leading Latin American experimental theater groups. The film highlights the extensive career of Santiago García while also portraying the everyday life and unique working methods of this dedicated ensemble of artists from Teatro La Candelaria.

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.

This documentary film is about wolves and the negative myths surrounding the animal. Exceptional footage portrays the wolf's life cycle and the social organization of the pack, as well as film of caribou, moose, deer and buffalo.

Joel, an 11-year-old boy, will guide us through the forest of the Popocatépetl volcano and with his childlike wisdom leaves us lessons on a natural life.

Before the assault, feel the weight of the body.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?