Afghantsi

The story of Shaista, a young man who—newly married to Benazir and living in a camp for displaced persons in Kabul—struggles to balance his dreams of being the first from his tribe to join the Afghan National Army with the responsibilities of starting a family. Even as Shaista’s love for Benazir is palpable, the choices he must make to build a life with her have profound consequences.

In Iraq 2003 Corporal Martin Webster filmed fellow soldiers beating Iraqi youths during rioting in Al Amara. Two years later, a British newspaper obtained his footage. The story that ran led to outrage across the world.

Documentary Film maker, Mark Brown, attempts to discover the damaging effect the over-spilling immigrant population has on the coastal city of Calais, France.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

Over 90% of the world's opium now comes from Afghanistan. In this shocking new film, we ride the drugs caravan, from cultivation, to process, to market. On route, we lift the curtain on the hidden world of the drug barons; learn how to process heroin in the crudest of laboratories and encounter deadly gunfights on the Iranian border.

Using historically-accurate, battle-filled re-enactments and interviews with expert historians and noted authors, this two-part documentary series brings to vivid life the captivating true stories behind Britain's bloody civil wars.

On August 15, 2021, Afghanistan descends into chaos. In one day, the completion of the withdrawal of Western forces precipitated the debacle of the regime in place: the army vanished, the leaders fled and the Taliban took Kabul without a fight. The great Central Asian country opens a new chapter in its tragic history, twenty years after the "war on terror" launched by George W. Bush in response to the attacks of September 11, 2001. The undisputed masters of 40 million trapped Afghans, the "students of religion" are back and are savoring their revenge by posing as the United States' victors. Their program will surprise no one: to restore the Islamic emirate and set up the "true" sharia, i.e. a perfect world, with divine commandments applied to the letter as in the time of the prophet.

World War II propaganda short which focuses on the dangers of inadvertent dispersal of military information.

Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.

Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.

The Soviet Army Prepares for Action in Afghanistan is derived from four shots of a Soviet film called Heirs of Victory (1975) which commemorates the Allied triumph over fascism in World War II. The original film celebrates the military might of the USSR in images of explosions and armed men leaping through flames. These images are subjected to such thorough manipulation that they become patterns flickering like a multitude of abstract paintings, with digital smears standing in for squeegee marks and brush strokes. Slowly the shots become less abstract until they are completely recognizable, though still somehow rather surreal.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Americans refused to be drafted from the concentration camp at Heart Mountain, Wyoming. Ready to fight, but not before their rights as U.S. citizens were restored and families released.

10 years of continuous combat operations in Afghanistan. Around half a million of soviet military men went through this war. more than 14,000 soldiers and officers gave their lives fulfilling the international duty. more than 50 thousand were woun­ded. the wound inflicted by this war on an entire generation has not healed even 30 years later. there have been many attempts to tell the story of this war. but it is quite another thing to see it through the eyes of commanders. there were seven of them in those ten years. the legendary commanders of the 40th army, a magnificent seven who accomplished the impossible.

Extranjeros de sí mismos

Afghanistan le prix de la paix

A documentary unraveling the untold stories and brutal experiences of the Kosovo War in the late 1990s.