The lovely Hermia is to wed Demetrius, but she truly cares for Lysander. Hermia's friend, Helena, is in love with Demetrius, while other romantic entanglements abound in the woods, with married fairy rulers Titania and Oberon toying with various lovers and each other.
In Shakespeare’s great drama of loss and reconciliation, a long-deposed ruler uses magical arts to bring within her power the enemies who robbed her of her throne and marooned her on a remote island. But what revenge does she mean to take?
On a distant island a man waits. Robbed of his position, power and wealth, his enemies have left him in isolation. But this is no ordinary man, and this no ordinary island. Prospero is a magician, able to control the very elements and bend nature to his will. When a sail appears on the horizon, he reaches out across the ocean to the ship that carries the men who wronged him. Creating a vast magical storm he wrecks the ship and washes his enemies up on the shore. When they wake they find themselves lost on a fantastical island where nothing is as it seems.
Double-meanings, disguises and dirty laundry abound as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the ‘Merry Wives’ quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff’s expense… The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land. Drawing influences from British 1930s fashion, music and dance, the production will celebrate women, the power and beauty of nature, and with its witty mix of verbal and physical humour, it rejoices in a tradition that reaches right down to the contemporary English sitcom. The Windsor Locals appear courtesy of Soldiers’ Arts Academy, London Bubble and Clean Break.
A scholarly king and his three companions swear off the society of women for three years, only to have a diplomatic visit from a French princess and her three ladies-in-waiting thwart their intentions.
A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.
Helena loves Bertram, but he's of noble birth, while she's just a doctor's daughter. But Bertram is at the court of the King of France, who is ill, and Helena has a remedy that might cure him and win her the right to marry Bertram. But does Bertram want to marry her?
Orlando is forced to work like a servant for his brother Oliver, so he goes to win his fortune in a wrestling contest, where he meets a lady of the court, Rosalind. Rosalind (daughter of the deposed duke) is companion to Celia, niece of the deposed Duke, and when the current duke banishes Rosalind from the kingdom, she, Celia, the court jester (and incidentally Orlando) all end up in the forest or Arden, where the deposed Duke holds court. Romantic mixups, cross-dressing, love poems nailed to trees, and a lion await them all.
Aegeon of Syracuse has come to Ephesus to seek his son, who went in search of his missing twin and mother months ago. Too bad that Ephesus has just declared war on Syracuse, and will instantly put to death any Syracusean found within their borders unless a ransome's paid. Meanwhile, the son, Antipholus, and his servant, Dromio (also an identical twin), keep running into strangers who seem to know them...
Viola and Sebastian are lookalike twins, separated by a shipwreck. Viola lands in Illyria, where she disguises herself like her brother and goes into the service of the Duke Orsino. Orsino sends her to help him woo the Lady Olivia, who doesn't want the Duke, but finds that she likes the new messenger the Duke's sending. Then, of course, Viola's brother shows up, and merry hell breaks loose. Meanwhile, Olivia's uncle and his cohorts are trying to find some way to get back at Olivia's officious majordomo, Malvolio.
Prospero, the true Duke of Milan is now living on an enchanted island with his daughter Miranda, the savage Caliban and Ariel, a spirit of the air. Raising a sorm to bring his brother - the usurper of his dukedom - along with his royal entourage. to the island. Prospero contrives his revenge.
Niaise pas avec la Puck
This scintillating production of Shakespeare’s boisterous comedy will stir your emotions even as it challenges you with its pointed social commentary. Is the story of Kate and Petruchio one of courtship or of conquest? The breaking down of a defiant spirit or a breakthrough that liberates a heart deprived of love? You decide – but either way, this is an experience not to be missed!
An alcoholic grandfather is seriously ill. His doctor suggests that experiencing a bad scare could cure him. His grandson volunteers to help him.
A ghostly visitor with a shocking secret, a daughter devastated by loss, a deadly duel – and the most famous question in all of drama. Just some of the reasons why Shakespeare’s iconic tragedy will hold you spellbound.
When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.
A banished hero of Rome allies with a sworn enemy to take his revenge on the city.
The reign of England's King John is threatened by Philip of France who demands that John's nephew Arthur be placed on the throne. Pragmatic and decisive, King John moves to plactate the French, but there are others who seek disputre his authority.
Richard II, who ascended the throne as a child, is a regal and stately monarch. He believes he is the rightful ruler of England, ordained by God, yet he is a weak and ineffective king - wasteful in his spending habits, unwise in his choise of chansellors, and detached from his country and its people. When he seizes the land of his cousin Henry Bolingbroke, both the commoners and the barons decide that their king has gone too far...
Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.