Sham 69 - Emergency Room Lounge, Las Vegas

Quintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance, recorded on May 7, 2003 at WTTW Grainger Studio in Chicago. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."

All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.

Jay’s Longhorn was the epicenter of the Minneapolis punk rock and indie rock scene in the late 1970s and sparked the explosion of alternative rock music that followed in the 1980s and 1990s.

Die Ärzte: Die Nacht der Dämonen

Sudden Death Records and MVD proudly present punk legends D.O.A.'s new live DVD "To Hell N' Back." 90 minutes of amazing action from the Godfathers of Hardcore. Recorded at home and on tour in Canada between June 2011 and January 2013 with four cameras a night. The band charges through 30 D.O.A. classic punk anthems. Includes a free CD version of D.O.A.'s studio album We Come in Peace.

Sleater-Kinney performs live to a completely sold-out house at the Palace Theatre in St. Paul, Minnesota. The band will bring new songs from their 2019 album 'The Center Won't Hold' – as well as tunes from their entire discography – to life on stage in this can't-miss concert.

A fast-paced documentary about a second generation of punk rockers living in Toronto. It offers insight into this segment of culture by videotaping in the streets, bars, and homes of punks. Conversations are intercut with the music of the punk bands at the core of the scene.

What Poor Gods We Do Make: The Story and Music Behind Naked Raygun," the 2-disc DVD/CD focuses on the band's history and the development of their music from "Basement Screams" to "Raygun,Naked Raygun" through interviews with the band and many interviews, including Steve Albini, The Lawrence Arms, 88 Fingers Louie, Jake Burns of Stiff Little Fingers, The Effigies and many more. Moreover, the film aspect also focuses on the history and influence of Chicago's independent and punk scene, even though it was often, and still, overlooked by punk historians and more recently, documentary filmmakers. The CD portion of the release will feature live highlights from their shows since Naked Raygun's reunion at Riot Fest 2006, and will include all of the songs most identified with Naked Raygun.

Three chords, three countries, one revolution...PUNK IN AFRICA is the story of the multiracial punk movement within the recent political and social upheavals experienced in three Southern African countries: South Africa, Mozambique and Zimbabwe.

Influenced by early punk and rock bands such as MC5, Ramones, Sex Pistols, The Damned, The Stooges and The Heartbreakers as well as heavier bands such as Venom, Blue Cheer and Motorhead the bands debut album - Hellacopters have made quite a name for themselves in Europe and Australia

"The 90s Sucked The first Time Around" ft. UNBROKEN and SWING KIDS. Filmed May 2009 in Southern California. A Leg Lifters production.

Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.

Documentary about the Mekons.

A documentary about the now abandoned and very influential punk club S.O.36. A punk music club on Oranienstrasse near Heinrichplatz in the area of Kreuzberg in Berlin, Germany.

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Pig heads, intestines, megaphones: all these and more have been thrown into crowds of loyal fans following the influential punk band THE STALIN or any of number of Michiro Endo's other bands since 1980. Taking a step in front of the camera, however, Endo offers a very different kind of encounter in this inspiring self-portrait. "Mother, I've Pretty Much Forgotten Your Face" follows the artist, a native of Nihonmatsu, Fukushima, on the 2011 nationwide solo tour celebrating his 60th birthday, which was interrupted by the Great East Japan Earthquake. Traveling, performing and talking with fellow musicians and activists, Endo reflects on the past and future of Fukushima, the legacy of Hiroshima, his upbringing and his feelings about his mother, communicated in the song from which the documentary is named.

Die Toten Hosen - 3 Akkorde für ein Halleluja

A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.