De Medeminaars

Episodes about different stages of relationships: from flirtation to falling out of love.

Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in a nuclear holocaust. He travels to New York City only to find it deserted. Making a life for himself there, he is flabbergasted to eventually find Sarah Crandall, who also managed to survive. Together, they form a close friendship until the arrival of Benson Thacker who has managed to pilot his small boat into the city's harbor. At this point, tensions rise between the three, particularly between Thacker, who is white, and Burton, who is black.

A pastry boy and the son of a hair-piece mogul become involved in an arson scandal. Sergio is offered a bribe in exchange for taking the blame for the fire that destroys his workplace. Garet, the real arsonist, is apalled that someone else would try to take credit for his act of love. Before long, Sergio and Garet become entangled in a zany love-quadrangle involving Hattie and Stephanie. Written by Brian Whiting

A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.

Joseph, favored son of Jacob and great-grandson of Abraham, is sold into slavery by his jealous brothers. Rising to become prime minister of Egypt. Joseph governed the country during a seven year famine, during which his brothers visit Egypt seeking grain, only to encounter their brother, presumed long dead.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

A lesbian hires a male escort to break the heart of the bisexual woman who has just dumped her.

In times of World War I, a group of boisterous young ladies occurs to them that they could help the boys of the front writing letters to them and, thus, becoming their godmothers of war. Madeleine writes to the soldier Jacques Bertin, but, out of prudence, instead of giving her true identity, she impersonates her late grandmother. When the soldier comes on leave and wants to see her, the mistake will bring humorous consequences.

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..

The Earnshaws are Yorkshire farmers during the early 19th Century. One day, Mr. Earnshaw returns from a trip to the city, bringing with him a ragged little boy called Heathcliff. Earnshaw's son, Hindley, resents the child, but Heathcliff becomes companion and soulmate to Hindley's sister, Catherine. After her parents die, Cathy and Heathcliff grow up wild and free on the moors and despite the continued enmity between Hindley and Heathcliff they're happy -- until Cathy meets Edgar Linton, the son of a wealthy neighbor.

When her cotton crop is burned, Barbara Pelham, a beautiful southern girl, comes to New York to find work as a fashion designer, staying with Mrs. Kemp, a woman she meets on the northbound train. In Mrs. Kemp's house, Barbara encounters Peter Heffner, a wealthy stockbroker, and discovers from him that she has taken up residence in a whorehouse. There is a police raid, but Barbara escapes arrest and returns home. Heffner's son, Neil, goes south to inspect some family property and there meets Barbara, with whom he falls in love. They decide to be married, and she accompanies him to New York, where she meets the elder Heffner for a second time. He denounces her as a whore, but Barbara goes to Mrs. Kemp, who explains the misunderstanding to everyone's satisfaction.

A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...

Ninon, a veteran stage artist, resides in her villa in Provence, surrounded by admirers as veteran or more than her. A film crew arrives at the gardens of the town to film some scenes in that beautiful spot. The director and screenwriter of the team will notice the charms of Ninon.

La lumière et l'amour

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.

Two young men serving at the front. One comes from a good family, the other's family is poor. But the sister of the middle-class son falls in love with his poor comrade when he returns home for Christmas.

A mysterious man with a cup full of money stands in a dark alley. After a woman throws money into the cup, the two kiss. The woman has thus been cursed.

After his happy life spins out of control, a preacher from Texas changes his name, goes to Louisiana and starts preaching on the radio.

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.