Un amor de Borges

A young man fantasizes about a woman in a field.

A couple and their daughters try to maintain a semblance of normalcy despite the threats and fears during Argentina's civic-military dictatorship.

In 1862, Abraham Lincoln's youngest son is laid to rest. That night, Lincoln visits his son's crypt, a chorus of ghosts narrating their brief reunion. Based on the bestselling novel by acclaimed author George Saunders.

Infortunia

Y el cangrejo resultó no ser inmortal

The film tells the story of the life of Ambed Arab literature Taha Hussein since his childhood in one of the villages of Minya, where he was able to overcome all difficulties despite being blind to leave his mark on literature, cultural scene and the educational system.

Peregrina

Based on a popular 1931 play, the film tells the fate of a naive young woman named Marianne, who breaks off her reluctant engagement with Oskar the butcher after falling in love with a fop named Alfred who, however, has no serious interest in returning her love. For this error, she must pay bitterly.

A poetic text foretelling a death. An elderly Paraguayan woman—a fortune-teller and prostitute living in the seaside town of Guaratuba—recounts her life’s journey and her Guaraní heritage. It is a blend of testimony, confession, and a negotiation with the impending death of her long-time companion in solitude.

An adaptation of the short story of the same name by Roberto Drummond, Pela Porta Verde (“Through the Green Door”) presents a Kafkaesque dialogue between a political prisoner and a police officer—a glimpse into the dark years of the dictatorship.

Carlos Argüelles is the son of a wealthy man whose only interests in life are business and making money. While trying to succeed in show business he falls in love with a dancer and they elope to marry. But success is not easy to obtain.

Set in the Faubourg à mélasse district of Montreal, Quebec, in the 1950s, the film centres on a conflict between the Roman Catholic Church and a young team of baseball players.

Noche Sin Fondo

After years apart, Mora reconnects with Luna—the great, unconfessed love of her youth—hoping to rekindle the friendship they once shared. During dinner, Luna reveals she had secretly been in love with her; this long-held silence brings to the surface buried feelings and questions about what might have been.

A rabbi is murdered. Detective Llonrot is called in on the case and looks for a 'rabbinical explanation' for the murder. Other murders are committed and deliberate clues left in chosen locations. Llonrot, convinced he is on the trail of a 'mystical intrigue' is lured to the 'crime scene' when the tables are turned by his nemesis, the master criminal Red Scharlach.

Nos vemos a la vuelta

Jorge is a taxi driver from Córdoba clinging to rhetoric of order, meritocracy, and anger. His only friend is López, his dead rabbit—confidant and spiritual compass. At night, Jorge and López cross paths with passengers who embody various social stereotypes, distorted mirrors of a society on edge. Amid absurd conversations and increasingly extreme situations, his routine shatters when the young man who humiliated him hours earlier gets into the cab. Caught between anger, delirium, and a yearning for vindication, Jorge must decide whether to act to reclaim his wounded dignity or accept becoming the object of ridicule he feels the world has imposed on him.

The movie dramatizes the last Indian uprising in Argentina, which happened in the north of the country, in the Chaco region, in the early 1900s.

It chronicles the legend of the progressive Telugu poet-saint Vemana from his being a rebellious and hedonistic youth from a landed elite to a renunciate.

Follow the adventures of Kiss of the Spider Woman scribe Manuel Puig portrayed by Fabio Aste, who left Argentina after being persecuted for his homosexuality and settled in exile in Rio de Janiero in this intimate drama from filmmaker Javier Torre. Though life in Rio was full of romance and adventure for Manuel, the controversy surrounding him grew ever more intense, until the only way out was a trip back to his native Argentina. In the years that followed, Puig eventually made the painful decision to move to Mexico, where he spent his final days until death caught up with him at the age of fifty-eight.