The Homeless

After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.

Eun-jin who is a living legend among the gangsters dominates the male-centered underworld wielding only a pair of her trademark blades. One day, Eun-jin finds her sister from whom she was separated at an orphanage during childhood, and her sister tells Eun-jin that her last dying wish is to see that Eun-jin gets married.

Shinjuku gangster Sabu and his young wife Koiko try to live a normal life, despite the interferences of gang politics and criminal deals. After she saves his life, Sabu's gang-boss, Tominaga, falls in love with Koiko, and sends Sabu into increasing dangerous situations, hoping to cause his arrest, and thus obligate himself to "take care" of Koiko while Sabu is in prison.

A corrupt cop teams up with an unlikely partner to protect the city from a gang of ruthless drug addicts.

A young yakuza who respects obligation and humanity must face cruel and heartless turf wars leading to a fight to the death with his own brother.

After serving his sentence, Yakuza family member Toshin-gumi Umebayashi is released from prison. Toshin-gumi was already headed by the boss in the second generation of Shotaro, but Shotaro fell into a trap, he is manipulated by his sworn enemy Kanzaki-gumi. Kanzaki-gumi captures the Toshin-gumi oil fields mined by the first boss. Umebayashi explodes in anger and attacks Kanzaki-gumi, but...

Seijiro and Shizue meet in Niigata and fall in love. Seijiro has to go back to Tokyo soon after, and they promise each other to meet again a year later. However, Seijiro gets jailed for five years. Unable to find him, Shizue gets married to a yakuza boss who can help her family business.

A barkeeper saves a Yakuza boss' life and thus makes his way up in the organization. However, his fear of nothing soon causes problems.

The film is inspired by Miyamoto Musashi who was one of the most famous Japanese ronin and warrior philosophers. This very alternate and visual interpretation of the fate of Miyamoto is brought into a mixture of contemporary Yakuza underworld and a hypnotic Samurai after-life. We flow seamlessly between through life, death, rebirth and the afterlife and challenge our traditional definition of the past, present and future. The film explores the agonizing and painful processes that go through the shattered mind of Miyamoto, as he desperately tries to hold on to the only thing he has left - The rapidly fading memories of his undying love for a woman named, Otsu. A love that for a Yakuza-Samurai is strictly forbidden and which will prove to have catastrophic consequences.

Tanaka is a yakuza who collects 'protection money' from establishments. He has just been released from jail, where he had spent eight years, and finds out that his boss wants to get rid of him. Tanaka is not an archetypal yakuza; he travels by public transport. But he does have two mistresses: Ayumi, who runs a nightclub, and Yoshie, a brothel-keeper. When Tanaka's boss ends up in hospital, second man Kurauchi exerts increasing pressure on Tanaka. Tanaka deliberately has himself wounded by a fighter to dodge several of Kurauchi's demands.

Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.

Itami, a young policeman, meets his high school friend, Tetsuo, a gangster, at a roadblock. As they rekindled their friendship, a complex relationship is established between them.

"When human beings venture too far along a trail made by wild beasts, it is said, they quite often discover themselves on a road of no return." Based on the novel of the same name by Seichô Matsumoto.

This coming-of-age drama comically depicts two young men who yearn to become members of the yakuza underworld, focusing on the apprenticeship of a rookie yakuza

Former yakuza gang boss Noboru Ando reminisces about old partner in crime Kei Hanagata.

A tale of three Yakuza gamblers who traveled Japan during the samurai era living by their wits and sword skills. Told in 3 separate vignettes, each part tells the story of a different drifter’s life. Part 1: A man is on the run after killing two Hasshu Officials to avenge his Boss. He must make a life or death decision as he is asked to protect a gang from attack. Part 2: A pair of gamblers chased out of a crooked game must fight not only their pursuers, but the ghosts of their pasts as well. Part 3: A wanderer who wants to live according to the Yakuza Code, but is not sure that he can do so when asked to save a town from an evil official.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

The Fable is a legendary yakuza hitman equal to none—but his boss orders him and his sultry associate to lay low and learn how to live a "normal life" in Osaka.

Oshidori kenkagasa

An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.