The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film. The film has now been lost.
Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.
Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...
A hobo takes revenge to a miller who didn't give him something to eat.
During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.
Through a series of auditions, a young actor in New York City struggles with his identity.
8 year old Joe has a Birthday he will never forget. After friends bully him, he sneaks off to the sick bay, wishing everyone in the world would go away. He wakes up to find his dream may have become a reality.
No home, no belongings, plenty of baggage. A short film about a man, his stories and the boy who listened.
The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.
Alice is a woman in her late thirties. Her life is in a rut. Each day at her work at a supermarket looks the same. Playing the piano is the only highpoint in her life. Then one day a mysterious stranger comes into her life.
A farmer finds out that a wolf's bite has turned him into a voracious beast. Worse still, his only son seems to have swapped brains with one of his sheep.
A Jewish boy nurturing a secret romance with a Muslim girl, despite the realities of their backgrounds, is unaware he is being stalked. While the young lovers struggle to be open about their relationship, the stalker's obsession reveals a thought provoking turn culminating in the trio coming face to face.
A middle-aged loser and a lonely old woman separately contemplate suicide on Christmas Eve. After several strangers inadvertently interrupt their attempts, they cross paths in a surprising and dramatic way and change each other's lives forever.
A group of misbehaving children come across a magic mirror that, when they look into it, shows them as clowns and tries to convince them to change their disruptive behavior.
A portrait of Berlin youth, sexuality, and identity.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
With a suitcase in hand, a son arrives to visit his elderly mother.
Guillaume is getting ready to meet his wife in the maternity ward where she has just given birth. But an unexpected phone call plunges him back into bitter childhood memories: his father, whom he has not seen for years, wants nothing more than to see his daughter-in-law and the newborn child.