Operation Homecoming: Writing the Wartime Experience

What blood calls a man to war? BLOOD TYPE is a reflective documentary about professional Estonian soldiers in the Afghan war. The deeply personal revelations of the warriors are woven in with footage of their daily dangers, forming an intimate portrait of the soldiers' day-to-day struggles. Their stressful job and haunting fear to lose their legs echo the destiny of Andrei, who lost his leg in the Afghan war two years ago. Having returned to homeland, Andrei gives his all to reunite with his blood brothers on the battle field despite his disability. What is the spiritual journey of a soldier? What kind of responsibility does he have to his brothers in arms, his family, and the locals? By showing the cooperation between Estonians and Afghans, the film is looking for the imprint that might be left behind once the international forces have been withdrawn from the distant Afghanistan.

Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.

Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history.

Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.

Former combat videographer Miles Lagoze presents personal footage of U.S. Marines in the Afghan war zone.

A poignant story about overcoming our demons and finding hope through darkness. Haunted by the affects of PTSD induced by fighting a war, the physical injuries that led to copious amounts of opiates, the emotional strain of his squad leader committing suicide, losing his best friend from overdosing on heroin, all combined with his drug addiction ultimately left Shawn losing all hope in life.

No Greater Love explores a combat deployment through the eyes of an Army chaplain, as he and his men fight their way through a hellish tour in one of the most dangerous places in Afghanistan and then as they struggle to reintegrate home.

In 1989, Swedish journalist, Khazar Fatemi narrowly fled the war torn country of Afghanistan with her life. Twenty years later, the former refugee returned to the place that has always remained in her heart. Where My Heart Beats follows Khazar's dangerous, painful, and inspirational journey back home to reconnect with the amazing people of this broken nation.

The story of the last months of the 20-year war in Afghanistan through the intimate relationship between American Green Berets and the Afghan officers they trained.

Invisibles

"Ultimate Sacrifices" tells the inspiring and tragic story of Captain Jennifer Moreno, a U.S. Army nurse and member of the elite Cultural Support Team in Afghanistan. A top marksman and leader in San Diego High School's JROTC program, Moreno rose to prominence as a warrior, bridging cultural divides during dangerous combat missions. Her bravery and sacrifice during a 2013 raid, where she lost her life while aiding a fallen Army Ranger, highlight her extraordinary courage and dedication to service. This film honors her life, from her humble beginnings to her enduring legacy, showcasing the valor of Mexican immigrants.

A powerful and poignant film in which families and friends of those who have died fighting in Afghanistan and Iraq talk openly about their loved ones and their grief. Epic in scale and spanning seven years of war, this landmark three-hour film gives a rare insight into the personal impact and legacy of this loss.

9/11 marked a new era in global terrorism, and a "War on Terror" was launched by the US. Since then, trillions have been spent on conventional warfare, counter-terrorism, secret intelligence, homeland security, cyberdefence and more, in pursuit of a sometimes indefinable enemy. We look at the costs and impact of this effort. Is there less terrorism today than before the war started? Is our world any safer?

Saddam Hussein's arsenal of "weapons of mass destruction" was George W. Bush's main justification for waging war against Iraq in 2003. After the invasion of the country, American leaders recognised that they had been mistaken, and that the Baghdad tyrant did not possess such a capability. Bush claimed it was an error and defended his good faith, denouncing the negligence of his secret services. But the brutal truth lies elsewhere: The war in Iraq was based on lies.

On August 15, 2021, Afghanistan descends into chaos. In one day, the completion of the withdrawal of Western forces precipitated the debacle of the regime in place: the army vanished, the leaders fled and the Taliban took Kabul without a fight. The great Central Asian country opens a new chapter in its tragic history, twenty years after the "war on terror" launched by George W. Bush in response to the attacks of September 11, 2001. The undisputed masters of 40 million trapped Afghans, the "students of religion" are back and are savoring their revenge by posing as the United States' victors. Their program will surprise no one: to restore the Islamic emirate and set up the "true" sharia, i.e. a perfect world, with divine commandments applied to the letter as in the time of the prophet.

By immersing themselves in a Taliban village, and after gaining very rare access to major institutions, the directors shed a disturbing light on today's Taliban society, and on the workings of this ultra-conservative parallel state. whose leaders have just symbolically moved into the presidential palace, to assert a stranglehold that foreshadows the Afghanistan of tomorrow.

Jawed Taiman takes a distinct look at Afghanistan and lets the Afghan people have their say. En route through the different provinces, through urban and rural regions, in discussion with intellectuals and simple folk, politicians and Taliban fighters a multifaceted picture emerges of a country that is often portrayed as incomprehensible.

"No Book This Year" tells the story of Yalda, a former staff member of Afghanistan's booth at the Frankfurt Book Fair. Years after the booth's closure, Yalda takes it upon herself to independently relaunch Afghanistan's presence at the fair. Despite numerous challenges and obstacles, her unwavering determination to showcase Afghan literature and culture shines through, illustrating the resilience of the human spirit in preserving cultural heritage.

An Iranian diplomat who miraculously survived Taliban's raid on the Iranian consulate in Mazar E Sharif (Afghanistan) narrates his 19 days of hide and escape to reach Iran's borders meanwhile on the other side, the Iranian troops are preparing for retaliation.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”