Round the Wirral with a Movie Camera

Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Bienvenue au grand magasin

Promotes television sets and the broadcast of New York's first regularly scheduled programs by providing a clinical look at the inner workings of television, including the manufacture of the tubes, lab experiments, and an actual telecast. Shows RCA's production studios in Rockefeller Center, television demonstrations at the 1939–40 New York World's Fair, RCA's Empire State Building transmitter, and remote mobile broadcast units. One of a variety of "Reelisms" shorts produced by Frederic Ullman Jr. and Frank Donovan for RKO in the late 1930s.

La saga du rail

What does a rural town in South Carolina have to do with China? Americans consume nearly twenty billion new items of clothing each year, and at least one billion of them are made in China. Cotton Road uncovers the transnational movement of cotton and tells the stories of workers lives in a conventional cotton supply chain. From rural farms in South Carolina to factory cities in China, we span the globe to encounter the industrial processes behind our rapacious consumption of cheap clothing and textile products. Are we connected to one another through the things we consume? Cotton Road explores a contemporary landscape of globalized labor through human stories and provides an opportunity to reflect on the ways our consumption impacts others and drives a global economy.

In the cobalt mining areas of Katanga in the Democratic Republic of the Congo (DRC), babies are being born with horrific birth defects. Scientists and doctors are finding increasing evidence of environmental pollution from industrial mining which, they believe, may be the cause of a range of malformations from cleft palate to some so serious the baby is stillborn. More than 60% of the world’s reserves of cobalt are in the DRC and this mineral is essential for the production of electric car batteries, which may be the key to reducing carbon emissions and to slowing climate change. In The Cost of Cobalt we meet the doctors treating the children affected and the scientists who are measuring the pollution. Cobalt may be part of the global solution to climate change, but is it right that Congo’s next generation pay the price with their health? Many are hoping that the more the world understands their plight, the more pressure will be put on the industry here to clean up its act.

An overview of the lobster fishing industry in Nova Scotia.

A bakery in Herat in Afghanistan. Twelve hours a day, seven days a week, a dozen employees and apprentices repeat the same gestures, while the camera raises questions about the outside world, about images.

Progress in South Australia manifests itself around the Flinders Range country in the industries of Whyalla, Port Pirie, Port Augusta, Leigh Creek and Aroona Dam. Wildflowers cover the countryside.

The environmental problems caused by fracking in America have been well publicized but what's less known are the gas industry's plans for expansion in other countries. This investigation, filmed in Botswana, South Africa and North America, reveals how gas companies are quietly invading some of the most protected places on the planet.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Created in the Victorian era to widen the mouth of the River Tees for shipping, South Gare is a man-made peninsula extending four kilometres into the cold North Sea. Today, the industry it was built for has gone, but the Gare remains as a haven for all sorts of unexpected communities - kite-surfers, photographers, bird-watchers, scuba-divers and the people who simply appreciate its strange, lonely beauty.

Christian demonstrates the prep work that goes into making one of the cocktails at NARO.

Film follows Haide and Toomas, husband and wife in life and in art Piip and Tuut through the hard work of the creation of their new clown show in the Botanical Garden of Tallinn, showing the intensity and poetry behind their craft and focusing on their collaboration on stage and in life.

A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.

Find out how the cars were crafted and discover the secret family stories behind the most famous marques including Riley, Standard, Triumph and Jaguar. Legendary racers Rosemary Smith, Pat Quinn and Norman Dewis share their memories of competing Coventry’s cars in some of the world’s most dangerous motorsport events. And, meet the people passionate about preserving the city’s extraordinary motoring heritage.