The story of the abandoned production of 'Day of the Champion', a movie about Formula 1 which was set to film in 1966.
It’s one of the most distinctive and storied championships in the world of sports entertainment and its titleholders are industry standard bearers. Now, for the first time ever, fans can own the definitive DVD set devoted entirely and exclusively to the World Heavyweight Championship.
Shot on the Great Barrier Reef in Australia and in the Bahamas, Ocean Wonderland brings to you the amazing beauty of the many varieties of coral and the immense diversity of the marine life thriving there.
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
Executive produced, conceived, directed by Larry Locke. An intermittently amusing look at the world of professional bowling is offered in Larry Locke's docu "Pin Gods," which interweaves the stories of three ambitious, if slightly bizarre, men.
A group of Macedonian women are shown hard at work.
An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
After three unsuccessful attempts at the Olympics, the 30-year-old Aljona Savchenko finally wants to win a gold medal with a new partner in four years. A rather bold plan, especially since the young Frenchman Bruno Massot, chosen by the German-Ukrainian ice princess, has no international successes in pairs figure skating. He moves to Germany and has no idea of the manic perfectionist he's getting involved with. Aljona's training is tough. Constant disputes about the right course threaten to bring the project to failure. Two completely different characters collide. However, the team of trainers manages to calm things down. February 2018: The competition at the Winter Olympics in South Korea begins with the short program. Inexplicably, Bruno blunders and the pair sit fourth by a wide gap. Gold is hardly possible anymore. It only remains for them to show the world their unique free skating. Their intoxicating, perfect run will go down in history. It will be the free skating of their life!
In the world of Major League Baseball no one has created a mythology like Nolan Ryan. Told from the point of view of the hitters who faced him and the teammates who revered him, Facing Nolan is the definitive documentary of a Texas legend.
Finále
An intimate look at the history of Brazilian drivers from the '70s to the '90s, an era in which Brazil dominated Formula 1 racing, from the colorful point of view of its protagonists, especially Fittipaldi, Piquet and Senna, but without forgetting the drivers who failed to reach the profession's pinnacle, and the many behind-the-scenes helpers.
RIDE: A Brutal Fairytale
Halfway between a sports documentary and an conceptual art installation, "Zidane" consists in a full-length soccer game (Real Madrid vs. Villareal, April 23, 2005) entirely filmed from the perspective of soccer superstar Zinedine Zidane.
This Pete Smith Specialty short showcases former heavyweight boxing champion Max Baer with various sparring partners in the ring. Slow motion is used to illustrate how Baer uses his skills.
A silent succession of black-and-white photographs of the city of Montreal.
Klammer gegen Russi - Das Rennen ihres Lebens