A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The lecturer shows a microcinematographic sequence of spirochaetes and drawings of the gonoccus (the bacteria responsible for syphilis and gonorrhea). He then turns to an easel and begins to draw 'the road of health'; the cartoon takes this up in magic drawing, in a style that is highly reminiscent of the 'Giro the Germ' series made for the Health and Cleanliness Council a few years before.
After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
The film twice states that it doesn't intend a moral injunction, but it clearly does with comments such as "our society... regards sexual intercourse outside marriage as irresponsible and possibly disastrous" and "you can use your knowledge with responsibility and real love or you can use it wantonly and with mere animal appetite". This is clearly marriage education not sex education.
City of Wax is a 1934 American short documentary film produced by Horace and Stacy Woodard about the life of a bee. It won the Oscar at the 7th Academy Awards in 1935 for Best Short Subject (Novelty). Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2007.
Raising angora rabbits for wool; new marine navigation and safety technology; kitchen gadgets; developing new rose varieties.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A commissioned film for Schweizerischer Werkbund (SWB), Die neue Wohnung was produced for the Basel architectural and interior design exhibition, WOBA, to demonstrate innovative aspects of modern architecture and highlight their differences from the event’s highly conservative approach. Despite its ad campaign roots, Richter's touch is not absent; The surviving version, aimed at a "bourgeois" Swiss public, presents decluttered, functional architecture and decor as superior to the traditional and luxurious "ancient" ways of living.
A day in the life of a train station.
This film details the techniques used by amateur and professional shoplifters to steal over $6 billion in merchandise annually. Emphasizing how much of this stealing could be prevented ... A convicted shoplifter displays stealing methods under actual conditions and explains how employees could have prevented the thefts.
This short is one of Paramount's "Popular Science" series (number L6-5, or the fifth one of the 1946-47 production season) and begins by showing moon rockets, weighing 30 tons, a flight in the ionosphere, with mounted color cameras recording pictures hundreds of miles above the earth. Coming back to earth, it discourses on modern bathroom fixtures, and then demonstrates a one-man hay-bailer.
Time Stood Still is a 1956 Warner Brothers Scope Gem travelogue, filmed the previous year in Dinkelsbühl, and presented in the wide-screen format of CinemaScope, directed by André de la Varre. It was nominated for an Academy Award for Best Live Action Short Film at the 29th Academy Awards.
How to tell if an animal has rabies.
Case history of an Iranian patient bitten by a rabid wolf.
This bicycle-safety film shows children what can happen when bicycles are driven carelessly and recklessly.
A film about the expansion of the Central Line beyond Stratford.
Wayne Adam Ford is a convicted serial killer on Death Row. Victoria Redstall is a model who trained to be a cop. Together, and against all odds, Ford and Redstall take us on a roadtrip into the mind of a serial killer and attempt to find the identity of his first victim. All that remained of her was a dismembered torso.
A film about fireworks, the people who make them and the cultures behind them across the globe.
In one picturesque village in Sussex, life is very different. There’s no crime, debt or homelessness, everyone has a job but no-one earns a wage, and none of the children watch television, use social media, play video games or have a mobile phone.