The Story Room: The Making of 'Lilo & Stitch'

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.

A discussion between John Cleese, Michael Palin, Eric Idle, Terry Gilliam and Terry Jones about their film The Meaning of Life

Twiggy takes a comprehensive look at the life story of UK model and cultural icon Twiggy, real name Lesley Lawson, whose career kickstarted in the 1960s. It features interviews with Twiggy and her husband Leigh Lawson, as well as commentary from Erin O’Connor, Paul McCartney, Lulu, Poppy Delavigne, Brooke Shields, Pattie Boyd and Zandra Rhodes.

Via reminiscences from writer/actor Gene Wilder and others, this documentary recalls the making of the 1974 film Young Frankenstein.

Dinosaurs Vs. Apes: DINOSAUR MOVIES and HOLLYWOOD GOES APE! have been hailed as the definitive documentaries on the prehistoric and anthropoid creatures that have appeared on the silver screen. Filled with rare movie clips, behind-the-scenes footage and interviews.

The Irreversible Odyssey is a retrospective documentary featuring interviews with Gaspar Noé, actors Monica Bellucci, Vincent Cassel and Albert Dupontel.

Mickey Rooney is interviewed by Robert Osborne.

In the years following the Civil Rights movement and the passage of Title IX in 1972, Dr. Donnis Thompson (a headstrong African-American female coach), Patsy Mink (the first Asian-American U.S. congresswoman), and Beth McLachlin (the team captain of a rag-tag female volleyball team), battled discrimination from the halls of Washington D.C. to the dusty volleyball courts of the University of Hawaii, fighting for the rights of young women to play sports.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Shot in 1960 on the set of Jonas Mekas' 'Guns of the Trees'. Dedicated to Ron Rice.

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Offbeat documentarian Chris Smith provides a behind-the-scenes look at how Jim Carrey adopted the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon.

E. T. the Extra-Terrestrial, Steven Spielberg's endearing movie released in 1982, achieved the triple feat of bringing to life one of the most iconic characters in pop culture, revolutionizing science fiction cinema and establishing itself as one of the highest-grossing family movies in the history of cinema, capable of making the whole world laugh and cry.

As Stitch, a runaway genetic experiment from a faraway planet, wreaks havoc on the Hawaiian Islands, he becomes the mischievous adopted alien "puppy" of an independent little girl named Lilo and learns about loyalty, friendship, and ʻohana, the Hawaiian tradition of family.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

Documentary about the making of director Steven Spielberg's film Empire of the Sun

Documentary of the making of the animated family film, The Iron Giant.

FotoKem gives in-depth tour of the new scientific and artistic workflows that had to be invented in order to realize Christopher Nolan's unique vision of using both color and black & white 65mm film in the same motion picture

Documentary interview the director Ted Kotcheff on his film 'Who is Killing the Great Chefs of Europe?'