In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Mathematics teacher Bernd comes to the conclusion that the youth's morals, values and thoughts (sexuality) are quite different than he thought they were.
The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
Railroad magnate Gordon Rogers agrees to allow his daughter, Helen, to marry wealthy idler Billy Deering, Jr., but only if the latter can hold the same job for one month. Billy is hired for an array of jobs, including office clerk and xylophone player, but always quits just before being fired. He then finds work in a restaurant where he is required to dress as a knight in armor and pose as a statue. On one occasion, Gordon, Helen, and Billy's romantic rival, Tom, enter the restaurant, and Billy is nearly fired when Helen recognizes him. Meanwhile, Gordon plans to merge one of his railroads with a company that is in a dispute with Tom's uncle, an unprincipled financier. Acting on the promise of a generous cash reward, Tom is determined to steal documents relating to the merger.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.
About a young pretty bride, who cannot choose between all the grooms that circles around her...
A friend of KoKo's animator draws a haunted house, and KoKo and his dog Fitz go inside. There, they encounter frightening hallways where every door leads to a new spook.
Max and his friend, who came to visit him in Paris both fall in love with his new maid. The girl is very friendly, and while one plays the piano, she dances with the other - and they are so happy that even the decor dances at the rhythm.
Dog Rover, from Rescued by Rover fame, chases a kidnapper's car and while he is in a pub, drives it safely home and thus saves the baby.
In parallel stories, a social butterfly and a lower middle-class wife brace themselves for the challenge of birthing a child in the modern era.
The opening scene is in a tailor's shop, showing the four assistants more or less in love with their employer's daughter. After some time, the tailor says he will give his daughter to the one who shows himself to be the cleverest. Some very amusing incidents follow. The various feats accomplished during the contest are clever examples of trick photography. (Moving Picture World)
Who Pays? was a series of twelve three-reel dramas, released between March and July 1915. Henry King and Ruth Roland starred in each episode, playing different roles each time, with a variety of supporting players who varied from one episode to another. Each episode told a complete and individual story, but they were all inter-related by a uniform theme. Although there were no cliff-hanger endings, each episode did, in fact, end with a challenge to the audience: Who was responsible for the misfortune of the principal characters? The titles of the twelve episodes were: #1: The Price of Fame; #2: The Pursuit of Pleasure; #3: When Justice Sleeps; #4: The Love Liar; #5: Unto Herself Alone; #6: Houses of Glass; #7: Blue Blood and Yellow; #8: Today and Tomorrow; #9: For the Commonwealth; #10: Pomp of Earth; #11: The Fruit of Folly; #12: Toil and Tyranny.
Naughty Susanne leads an exciting double life between her hometown and Paris: in the provincial nest she is considered the ever virtuous and down to earth girl, while in the cosmopolitan city she always escapes to, she is the queen of the night, sophisticated and seductive. In Paris, she meets René and begins to recruit him, but she has a noble competitor: Jacqueline. A spirited love triangle begins, complicated by the interventions of uncomprehending moral preachers. Their befitting final finds the story in the Moulin Rouge.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
A new teacher arrives in a remote mountain village, where the old traditions still hold sway.
A retiring man in rioting Athens faces ghosts and memories from the past to make choices about the present.
A silent short Western comedy film directed by Thomas Ricketts.
Varden, a poor peasant decides to find a rich fiancée but in vain. Following Galaktion, his rich neighbor’s advice, he attempts a horse theft but fails and nearly escapes death. Thanks to Jujuna, his other neighbor, he finds job at the village’s blacksmith.