The Touch

Aragón, Spain, early 20th century. María del Pilar is a honest girl whose good name is dirtied when an old suitor seeking revenge accuses her of losing her virginity outside of marriage. The scandal soon spreads throughout the countryside.

An intimate and bucolic portrait of a young girl and her role within her family that reconstructs the biblical myth of Judith and Holofernes.

A group of children kidnap the legendary Christmas Witch, and put her on trial as a means of banishing her annual judgments.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

I Am Nezha 2

A Kazakh spy thriller: In 1921, at the height of the civil war, a Soviet officer is assigned to kill the ataman Dutov, a White collaborator. In order to get close to the ataman he infiltrates his gang.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

The story of Oedipus' gradual discovery of his primal crime, killing his father and marrying his mother, filmed by the famed British theatrical director Sir Tyrone Guthrie. This elegant version of Sophocles' play adds a brilliant stroke: the actors wear masks just as the Greeks did in the playwright's day.

An old man decides to find the body of his son, a Kazakh soldier who died fighting somewhere in Russia, to bury him in the land of his ancestors. Travelling across the land with his grandson, they discover the harsh reality of war. And when they finally find the coveted grave, they realise that many brothers-in-arms are buried with the soldier. Every inch of the great homeland becomes the land of our fathers, the land of the ancestors...

In Almaty, a sheltered and chaste woman named Din sees her life intertwined with the experiences of a prostitute who looks like her.

Batyrbek, failed the entrance examination to college, returned home to his native village. His younger brother Ayan Batyrbek decides to help start an independent life - to build a new house and find a suitable bride.

Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

In the 16th century, during the Kazakh Khanate, Kasym Khan was the fourth ruler, often viewed as the greatest leader to unite the Kazakh tribes.

A tale about the Swiss folk hero.

Pentos a Iola

Set in the 15th century, the story follows the formation of the Kazakh state after the death of Genghis Khan and the usurpation of power by one of Khan's descendants, leading the sultans Kerei and Janibek to resort to some nomadic tribes to remove the usurper, hoping for a better life and freedom.

The blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel. Heads will roll. Out of allegiance to the King Hrothgar, the much respected Lord of the Danes, Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster.

A young hero defeats a dragon to find acceptance to the court of burgundy.

The film told the Māori legend of Hinemoa and Tutanekai. It is the first dramatic feature film produced in New Zealand.

Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.