A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.
How will a top cardiologist mend her broken heart in the wake of a failed relationship? She is clear about her symptoms: first, pain in the sternum and then an obsession that hijacks her brain as she goes over and over her most recent dates. Once she has made the diagnosis, will she believe in her speedy recovery? Perhaps the energy efficiency manager who works in her hospital will be able to revive her broken heart.
During the Civil War, at a Southern girls’ boarding school, young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events.
When stand-up and improvisor Michelle Marcus is over the rat race of Los Angeles, her fellow comedian friends band together and have one last night out on the town. The ladies talk life, career struggles and chasing their dreams.
Schwartz reordered and combined angular contours, broken planes, and distorted proportions in her own pictorial structures in an homage to Picasso's style.
Filmmaker Stephanie Wang-Breal sets out to cross the generational divide, confronting long-simmering tensions with her Chinese immigrant mother by literally becoming her. Dressing in her mom’s iconic St John Knit power suits and re-creating her 1980s local TV cooking show, Stephanie becomes Beta-Florence, a radical reinterpretation of Asian-American identity.
We’re grading on the curve here, for this entry in Laemmle’s indie series was made on not so much as a shoestring, but more of a frayed thread: $10,000. Still, first-time writer-director Sophie Pegrum has done remarkably well, getting far more than her money’s worth in style and skill onto the screen, abetted by Jaime Reynoso’s photography, amazing for the price. Charles Britton – RAVE Magazine
A short visual meditation, OF THE UNKNOWN is set in Hong Kong where millionaires and the ‘working poor’ live side by side in one of Asia’s wealthiest and most densely populated cities. The film explores how our notions of freedom and happiness are shaped by the place we occupy, both literally and metaphorically, in our society. What is the importance of freedom when one faces a daily struggle for survival? Is it even possible to have dreams, or to dream, if one was never given any opportunities in life? https://vimeo.com/113548756
A key ingredient in any survival situation is the mental attitude of the individuals involved.
Markus is in an institution for young sex offenders. He is a shy boy whose face tells wordless stories. There is no physical proximity at the institution, so the inmates wrestle. It is a place where skinlessness quivers in the air. Markus's only friend in the institution is the wayward, violent Tobias. Markus's trial approaches, and then Tobias will find out why Markus has been locked up.
An Iranian man and a French woman stroll around the city of Isfahan, Iran and find that their love is mirrored perfectly in the architecture and mosaics of the city's mosques.
This French farce chronicles one special day in the lives of a married pair of Parisian architects, Fabienne and Bruno, as they anxiously await the results of an important architectual contest they have entered. Unable to handle the stress of waiting, both turn to sexual liason's to ease their tension. Bruno ends up enacting a dark sexual fantasy with a stranger while Fabienne eventually succumbs to the advances of Bruno's friend Simon, a fortyish Lebanese businessman and part-time drug dealer. The comedy takes on overtones of psycho-drama when the contest winner announced and the couple discovers the truth of each other's actions. A cache of drugs, discovered in an apartment only adds to their troubles.
By inviting scientists to share memories of what sparked their imaginations, Wonder House is an exploration of how childhood objects and environments develop young minds. Taking these insights as a starting point and adopting the metaphor of a young girl discovering an old house, Wonder House combines live choreography and stop-motion animation with real scientists' voices to offer a synthesis of fact and fiction, science and art, imagination and reality.
Meet John G Morris, 95, a legend of photojournalism, whose unerring eye for the best shot has moved and changed the world. Morris, former Picture Editor of Life Magazine & New York Times was instrumental in the early years of Magnum with his friends and peers Robert Capa & Henri Cartier Bresson. This film covers serious subjects; the coverage of conflict through photojournalism, a sensitive view of humanity and a search for peace in the world.
Shia LaBeouf watches all his movies in reverse chronological order over a period of three days while you can, via live stream, watch him, watch himself.
The film shows the micro cosmos of three generations of women from one family. In detailed observation their movements between the present and an ever existing past is followed as their lives intersect while living together in one house. Coexisting, but separated by the age and time that each carry in them, they share their painful experiences and search for a way of life in the loss and agony of the war around them. Their lives overlapped with the events of Damascus, their city and constant reference, they watch while its organs slowly shut down, as if – just like its population – it is dying from a long coma.
A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.
La Granja del Pas
A widowed mother, Ava Pryce (Katharine Ross) and daughter Susan Decker (Linda Hamilton) clash over the same man, a West Coast restaurant the owner named Alex Shepherd (Michael Nouri).
A film interpretation of the poem 'The Leaden Echo and the Golden Echo' by Gerard Manley Hopkins. Margaret Tait speaks the poem throughout the film.