Impressions of New York City. Experimental short.
Documentary short film detailing the first high-altitude daylight bombing of Germany by American B-17 bombers.
Training film for pilots of the Lockheed P-38 Lightning pursuit aircraft, focusing particularly on flight characteristics during operation on only one engine.
Plan for Destruction is a 1943 American short propaganda film directed by Edward Cahn. It looks at the Geopolitik ideas of the ex-World War I professor, General Karl Haushofer, who is portrayed as the head of a huge organization for gathering information of strategic value and the mastermind behind Adolf Hitler's wars and plans to enslave the world. The film was nominated for an Academy Award for Best Documentary Short.
USAAF Documentary Film
Hilarious moments from American-style football games.
The dive sites around Phuket are among the most fascinating in the world. Colourful coral reefs, puffer fish and turtles are among the extraordinary sea dwellers living in an 85 meter-long sunken ferry. These 3D dives in paradise make a spectacular highlight. Experience a unique underwater tank dive with sharks at Siam aquatic World in Bangkok. For anyone who meets the three half-meter-long sand tiger sharks in this way, their experience is never to be forgotten.
A captivating documentary following a young polar bear venturing on his first solo journey across the Canadian Arctic during the summer thaw. As the ice disappears, he must adapt to a challenging landscape without the one thing polar bears depend on most: sea ice. With stunning cinematography and heartfelt narration, this film offers a rare glimpse into the resilience and struggle of polar bears facing a rapidly changing climate.
Lee Martin, one of the cowboy stars in 'Buffalo Bill's Wild West', rides a bronco as a crowd looks on. While the horse is trying to throw Martin off its back, another cowboy stands on top of a fence rail and occasionally fires his six-shooter, to spur on both horse and rider.
In the background, five fans lean on the ropes looking into the ring. The referee is to the left; like the fans, he hardly moves as two fighters swing roundhouse blows at each other. Mike Leonard, in white trunks, is the aggressor; in black, Jack Cushing stands near the edge of the ring, warily pawing the air as Leonard comes at him. A couple of punches land, but the fighters maintain their upright postures.
A scene from Charles Hoyt's 'A Milk White Flag': A brass band marches out, led by bandmaster Steele Ayers. When Ayers reaches his position, he turns around and directs the musicians as they take up their own positions.
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness.
A 13-minute documentary film depicting life in Prague.
"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.
A short black-and-white silent documentary film featuring one dog jumping through hoops and another dancing in a costume, which was considered lost until footage from an 1896 Fairground Programme was identified as being from this film.
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.