Arriving in the US with a background in abstract art, opera, and film—including work with German director Werner Schroeter—Vogl began making Super8 films in New York that stripped away the stylistic markers of Hollywood, New Wave cinema of the 1960s and ’70s, and classic avant-garde film, leaving only traces of their generic conventions. For the first hour of OK Today Tomorrow, he stages a series of fraught encounters around the city between four gentrified New Yorkers before abandoning his vague narrative of youthful angst altogether in favor of documenting the urban landscape itself. The dusk-to-dawn “city symphony” that ends the film resembles similar Super8 social studies by Vogl’s uptown contemporary John Ahearn; both recorded the daily lives of working-class black and immigrant communities on the streets of a city on the verge of the corporate takeover and sweeping gentrification that followed in the 1980s and ’90s. Preserved by The Museum of Modern Art, New York.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
Lorenzo Odone, a Virginia 5-year-old, develops a degenerative nerve disease so rare that nobody is working on a cure, so his parents decide to immerse themselves in research and tackle the problem themselves.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
Il mio nome è Battaglia
Mark Kaminsky is kicked out of the FBI for his rough treatment of a suspect. He winds up as the sheriff of a small town in North Carolina. FBI Chief Harry Shannon, whose son has been killed by a mobster named Patrovina, enlists Kaminsky in a personal vendetta with a promise of reinstatement into the FBI if Patrovina is taken down. To accomplish this, he must go undercover and join Patrovina's gang.
1987, love in time of war: bus driver George meets Carla, a Nicaraguan exile living a precarious, profoundly-sad life in Glasgow. Her back is scarred, her boyfriend missing, her family dispersed; she's suicidal. George takes her to Nicaragua to find out what's happened to them and help her face her past.
Torremolinos, province of Málaga, Spain, autumn 1981. In the basement of a pub frequented by foreigners, five young self-taught people found a musical group that in less than a year conquers the charts: Danza Invisible, one of the best bands in the history of Spanish pop music, was born.
The pert Tina is sick of school and the muff in her Bavarian village. She wants to go with Tino - attendant of a visiting auto-scooter - who has to leave the place for dubious reasons. However he lets her down and leaves alone. Now Tina persuades fellow student Robby, who has a crush on her, to take her on a random trip with his motor-scooter. It seems only to be a matter of time until he realizes that she's just using him to follow her boyfriend - or will the shy Robby manage to win her heart on their chaotic journey?
Five high school students from different walks of life endure a Saturday detention under a power-hungry principal. The disparate group includes rebel John, princess Claire, outcast Allison, brainy Brian and Andrew, the jock. Each has a chance to tell his or her story, making the others see them a little differently -- and when the day ends, they question whether school will ever be the same.
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
10 mai 1981, le jour du grand soir
Dimitris Thalassias is a single singing teacher at a senior high school in Athens and undertakes the care of a child abandoned by its mother at the door of the foundling hospital. He does everything required to raise it right, but he sees his life changing unexpectedly, since his fiancée leaves him, and his relations with his students go from bad to worse. While this is happening, the mother shows up to claim her child. In the end, everything is corrected, and a solution is provided through marriage.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
Based on true events, the film presents nearly all stages of national hero Sparapet Vazgen Sargsyan's life, intertwined with significant events in the modern history of our country.
Video clip of Renaud's song.
On January 13th 1985, Midnight Oil performed the Oils on the Water concert on Goat Island, Sydney, to celebrate radio Triple-J's tenth birthday, before a select crowd of 400 (half competition winners and half staff, media and friends, though other fans swam across). The concert was simulcast live on ABC TV and Triple J radio, released on video, then later remastered as part of the 2004 Best of Both Worlds DVD set. Oils on the Water was a classic Midnight Oil performance and setting with the band in fine high-energy form, caught in the light of the setting sun, against the backdrop of the Sydney Harbour Bridge.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.